2023 Auction Gallery

22" W x 26" H x 20" D This piece is a dance between metal and fiber. It is a seamless weaving of earth elements. The emphasis of this form is a balance between solid shapes and the spaces between. Made from willow, forged copper and bronze spiculums and a set stone. Artists include: Rose Covert, Biba Schutz and Ajit Aserappa.

22" W x 26" H x 20" D This piece is a dance between metal and fiber. It is a seamless weaving of earth elements. The emphasis of this form is a balance between solid shapes and the spaces between. Made from willow, forged copper and bronze spiculums and a set stone. Artists include: Rose Covert, Biba Schutz and Ajit Aserappa.

22" W x 26" H x 20" D This piece is a dance between metal and fiber. It is a seamless weaving of earth elements. The emphasis of this form is a balance between solid shapes and the spaces between. Made from willow, forged copper and bronze spiculums and a set stone. Artists include: Rose Covert, Biba Schutz and Ajit Aserappa.

42"H x 20"W x 12"D This collaboration responded to a long piece of wood cut in half. The artists forged a crescent moon-shaped piece of steel and used it to burn/pierce square holes through the two pieces. This motif was carried throughout the work. The forged steel was also used as a hanger for a plumb bob and the work took on an altar piece transformation. The elements wood, fire, water, wind and earth are all represented. It is intended to "set" one's intentions and invite balance into being. Materials include wood, steel, raised copper, leather, paint. Artists include: Tai Lake, John Strohbehn, Greg Wilbur, Danielle Barbour and Kellen Bateham.

42"H x 20"W x 12"D This collaboration responded to a long piece of wood cut in half. The artists forged a crescent moon-shaped piece of steel and used it to burn/pierce square holes through the two pieces. This motif was carried throughout the work. The forged steel was also used as a hanger for a plumb bob and the work took on an altar piece transformation. The elements wood, fire, water, wind and earth are all represented. It is intended to "set" one's intentions and invite balance into being. Materials include wood, steel, raised copper, leather, paint. Artists include: Tai Lake, John Strohbehn, Greg Wilbur, Danielle Barbour and Kellen Bateham.

42"H x 20"W x 12"D This collaboration responded to a long piece of wood cut in half. The artists forged a crescent moon-shaped piece of steel and used it to burn/pierce square holes through the two pieces. This motif was carried throughout the work. The forged steel was also used as a hanger for a plumb bob and the work took on an altar piece transformation. The elements wood, fire, water, wind and earth are all represented. It is intended to "set" one's intentions and invite balance into being. Materials include wood, steel, raised copper, leather, paint. Artists include: Tai Lake, John Strohbehn, Greg Wilbur, Danielle Barbour and Kellen Bateham.

42"H x 20"W x 12"D This collaboration responded to a long piece of wood cut in half. The artists forged a crescent moon-shaped piece of steel and used it to burn/pierce square holes through the two pieces. This motif was carried throughout the work. The forged steel was also used as a hanger for a plumb bob and the work took on an altar piece transformation. The elements wood, fire, water, wind and earth are all represented. It is intended to "set" one's intentions and invite balance into being. Materials include wood, steel, raised copper, leather, paint. Artists include: Tai Lake, John Strohbehn, Greg Wilbur, Danielle Barbour and Kellen Bateham.

42"H x 20"W x 12"D This collaboration responded to a long piece of wood cut in half. The artists forged a crescent moon-shaped piece of steel and used it to burn/pierce square holes through the two pieces. This motif was carried throughout the work. The forged steel was also used as a hanger for a plumb bob and the work took on an altar piece transformation. The elements wood, fire, water, wind and earth are all represented. It is intended to "set" one's intentions and invite balance into being. Materials include wood, steel, raised copper, leather, paint. Artists include: Tai Lake, John Strohbehn, Greg Wilbur, Danielle Barbour and Kellen Bateham.

7" H x 4 1/2"W Turned box with milk paint and forged steel fineal. Made of ash, ebony and forged steel by Marjin Wall and Lisa Geertsen

7" H x 4 1/2"W Turned box with milk paint and forged steel fineal. Made of ash, ebony and forged steel by Marjin Wall and Lisa Geertsen

7" H x 4 1/2"W Turned box with milk paint and forged steel fineal. Made of ash, ebony and forged steel by Marjin Wall and Lisa Geertsen.

7" H x 4 1/2"W Turned box with milk paint and forged steel fineal. Made of ash, ebony and forged steel by Marjin Wall and Lisa Geertsen.

4" H x 3" W x 1" D Hand-carved and milk painted poplar blossom with oxidized brass and handcut delicate leaves dangling from a hand twisted cord featuring a repeat pattern of wool. Artists include Kimberly Winkle, Arielle Brackett and Kristy Kun.

4" H x 3" W x 1" D Hand-carved and milk painted poplar blossom with oxidized brass and handcut delicate leaves dangling from a hand twisted cord featuring a repeat pattern of wool. Artists include Kimberly Winkle, Arielle Brackett and Kristy Kun.

18" H x 18" W x 5"D Wood cut in a manner to become flexible, then burnt and patinated. It is held in position with a magnetic connection to accentuate the flexibility and playfulness of the piece. Artists include Christian Burchard and John Strohbehn.

18" H x 18" W x 5"D Wood cut in a manner to become flexible, then burnt and patinated. It is held in position with a magnetic connection to accentuate the flexibility and playfulness of the piece. Artists include Christian Burchard and John Strohbehn.

18" H x 18" W x 5"D Wood cut in a manner to become flexible, then burnt and patinated. It is held in position with a magnetic connection to accentuate the flexibility and playfulness of the piece. Artists include Christian Burchard and John Strohbehn.

18" H x 18" W x 5"D Wood cut in a manner to become flexible, then burnt and patinated. It is held in position with a magnetic connection to accentuate the flexibility and playfulness of the piece. Artists include Christian Burchard and John Strohbehn.

18" L x 8" H x 6" This refined airy sculpture was made with walnut, willow, root, copper and leather by Jason Nemec, Joan Carrigan, Winona Hwang, and Mike Free.

18" L x 8" H x 6" This refined airy sculpture was made with walnut, willow, root, copper and leather by Jason Nemec, Joan Carrigan, Winona Hwang, and Mike Free.

18" L x 8" H x 6" This refined airy sculpture was made with walnut, willow, root, copper and leather by Jason Nemec, Joan Carrigan, Winona Hwang, and Mike Free.

18" L x 8" H x 6" This refined airy sculpture was made with walnut, willow, root, copper and leather by Jason Nemec, Joan Carrigan, Winona Hwang, and Mike Free.

11" H x 9" W x 3" D Bees are so important to the magnificence of the planet; we need to ensure their well being. Maretials include maple, holly, copper, brass, metal leaf paint and muscovite mica. Artists include Mike Free, Winona Hwang and Steve Newberry.

11" H x 9" W x 3" D Bees are so important to the magnificence of the planet; we need to ensure their well being. Maretials include maple, holly, copper, brass, metal leaf paint and muscovite mica. Artists include Mike Free, Winona Hwang and Steve Newberry.

5"x 6" x 5". A copper pod made by Greg Wilber attaches to a willow basket made by Julie Johnson. The pod holds silver seeds made by Winona Hwang for the bird who will emerge from the turnd wood egg, a graceful curling fern made by Arielle Brackett, and a silver clay feather by Barbara Frederickson-Cross. Tom Willing turned the egg. Materials include willow, copper silver, silver clay, brass, exotic wood. Artists include Julie Johnson, Greg Wilbur, Winona Hwang, Arielle Brackett and Barbara Frederickson-Cross and Tom Willing. Note: The seeds are loose in the copper pod!

5"x 6" x 5". A copper pod made by Greg Wilber attaches to a willow basket made by Julie Johnson. The pod holds silver seeds made by Winona Hwang for the bird who will emerge from the turnd wood egg, a graceful curling fern made by Arielle Brackett, and a silver clay feather by Barbara Frederickson-Cross. Tom Willing turned the egg. Materials include willow, copper silver, silver clay, brass, exotic wood. Artists include Julie Johnson, Greg Wilbur, Winona Hwang, Arielle Brackett and Barbara Frederickson-Cross and Tom Willing. Note: The seeds are loose in the copper pod!

5"x 6" x 5". A copper pod made by Greg Wilber attaches to a willow basket made by Julie Johnson. The pod holds silver seeds made by Winona Hwang for the bird who will emerge from the turnd wood egg, a graceful curling fern made by Arielle Brackett, and a silver clay feather by Barbara Frederickson-Cross. Tom Willing turned the egg. Materials include willow, copper silver, silver clay, brass, exotic wood. Artists include Julie Johnson, Greg Wilbur, Winona Hwang, Arielle Brackett and Barbara Frederickson-Cross and Tom Willing. Note: The seeds are loose in the copper pod!

3 1/2" H x 2 1/2" W The pyrographed texture suggested words floating in the background so Jason gave them a mouth. Made of wood, paint and brass by Jason Nemec and Kristin Shiga.

3 1/2" H x 2 1/2" W The pyrographed texture suggested words floating in the background so Jason gave them a mouth. Made of wood, paint and brass by Jason Nemec and Kristin Shiga.

5" H x 3" D Raised copper doesn’t need to be round. it's just a gateway to new forms. Made from copper and blackwood by John Wirth, David Williams and Greg Wilbur.

5" H x 3" D Raised copper doesn’t need to be round. it's just a gateway to new forms. Made from copper and blackwood by John Wirth, David Williams and Greg Wilbur.

13" H x 8" W x 7 1/2" D. The largest of a nesting bandsaw box set, with willow bark woven around the outside. Artists include Joan Carrigan, Marjin Wall, Tai Lake, Arthur Perlett and Kellen Bateman. Materials include poplar, English walnut, willow bark, copper and milk paint.

13" H x 8" W x 7 1/2" D. The largest of a nesting bandsaw box set, with willow bark woven around the outside. Artists include Joan Carrigan, Marjin Wall, Tai Lake, Arthur Perlett and Kellen Bateman. Materials include poplar, English walnut, willow bark, copper and milk paint.

13" H x 8" W x 7 1/2" D. The largest of a nesting bandsaw box set, with willow bark woven around the outside. Artists include Joan Carrigan, Marjin Wall, Tai Lake, Arthur Perlett and Kellen Bateman. Materials include poplar, English walnut, willow bark, copper and milk paint.

6" W x 24" H The hanging includes pigments from tree leaves printed on paper as a toned ground. The painting evokes the light and movement through the forest. Botanically printed paper by Julie Johnson; acrylic painting by Angelita Surmon.

6" W x 24" H The hanging includes pigments from tree leaves printed on paper as a toned ground. The painting evokes the light and movement through the forest. Botanically printed paper by Julie Johnson; acrylic painting by Angelita Surmon.

6" W x 24" H The hanging includes pigments from tree leaves printed on paper as a toned ground. The painting evokes the light and movement through the forest. Botanically printed paper by Julie Johnson; acrylic painting by Angelita Surmon.

5" D x 3" H. This lidded bowl was inspired by Van Gogh’s Starry Night painting. The box references stars, moon and planets to remind us of our place in the universe. Artists include Bob Rotche, Sally Ault, Scott Rummage and Barbara Frederickson-Cross

5" D x 3" H. This lidded bowl was inspired by Van Gogh’s Starry Night painting. The box references stars, moon and planets to remind us of our place in the universe. Artists include Bob Rotche, Sally Ault, Scott Rummage and Barbara Frederickson-Cross

5" D x 3" H. This lidded bowl was inspired by Van Gogh’s Starry Night painting. The box references stars, moon and planets to remind us of our place in the universe. Artists include Bob Rotche, Sally Ault, Scott Rummage and Barbara Frederickson-Cross

5" D x 3" H. This lidded bowl was inspired by Van Gogh’s Starry Night painting. The box references stars, moon and planets to remind us of our place in the universe. Artists include Bob Rotche, Sally Ault, Scott Rummage and Barbara Frederickson-Cross

15" D x 13" W x 6" H This is more than your average hat! A reworked old cowboy hat with a little fire treatment and waxed finish. Copper floral patterns were inlaid into the rim for a stylish hipster look. Materials include recycled felt hat, beeswax, chased and pierced copper and bison leather. Artists include Cassie Rosteski, Arthur Perlett and Winona Hwang.

15" D x 13" W x 6" H This is more than your average hat! A reworked old cowboy hat with a little fire treatment and waxed finish. Copper floral patterns were inlaid into the rim for a stylish hipster look. Materials include recycled felt hat, beeswax, chased and pierced copper and bison leather. Artists include Cassie Rosteski, Arthur Perlett and Winona Hwang.

15" D x 13" W x 6" H This is more than your average hat! A reworked old cowboy hat with a little fire treatment and waxed finish. Copper floral patterns were inlaid into the rim for a stylish hipster look. Materials include recycled felt hat, beeswax, chased and pierced copper and bison leather. Artists include Cassie Rosteski, Arthur Perlett and Winona Hwang.

2" H x 12" W x 11" D This arty dust pan is made from maple, steel, copper and bronze by Bill Moore and E. Clair Guy.

2" H x 12" W x 11" D This arty dust pan is made from maple, steel, copper and bronze by Bill Moore and E. Clair Guy.

2" H x 12" W x 11" D This arty dust pan is made from maple, steel, copper and bronze by Bill Moore and E. Clair Guy.

4" H x 3 "W, closed; 4" H x 22" W, open This is a tree-inspired book - from the physical leaves used to print/color the paper, to the beautiful woods painted over the top. The accordian-style book stands while open and has the painting on one side and leaf prints on the back. Made from botanically printed paper, acrylic paint, handmade paper, glass and waxed linen thread by Angelita Surmon, Julie Johnson and Tami Dean.

4" H x 3 "W, closed; 4" H x 22" W, open This is a tree-inspired book - from the physical leaves used to print/color the paper, to the beautiful woods painted over the top. The accordian-style book stands while open and has the painting on one side and leaf prints on the back. Made from botanically printed paper, acrylic paint, handmade paper, glass and waxed linen thread by Angelita Surmon, Julie Johnson and Tami Dean.

4" H x 3 "W, closed; 4" H x 22" W, open This is a tree-inspired book - from the physical leaves used to print/color the paper, to the beautiful woods painted over the top. The accordian-style book stands while open and has the painting on one side and leaf prints on the back. Made from botanically printed paper, acrylic paint, handmade paper, glass and waxed linen thread by Angelita Surmon, Julie Johnson and Tami Dean.

4" H x 3 "W, closed; 4" H x 22" W, open This is a tree-inspired book - from the physical leaves used to print/color the paper, to the beautiful woods painted over the top. The accordian-style book stands while open and has the painting on one side and leaf prints on the back. Made from botanically printed paper, acrylic paint, handmade paper, glass and waxed linen thread by Angelita Surmon, Julie Johnson and Tami Dean.

4" H x 3 "W, closed; 4" H x 22" W, open This is a tree-inspired book - from the physical leaves used to print/color the paper, to the beautiful woods painted over the top. The accordian-style book stands while open and has the painting on one side and leaf prints on the back. Made from botanically printed paper, acrylic paint, handmade paper, glass and waxed linen thread by Angelita Surmon, Julie Johnson and Tami Dean.

~32" L x 15" W x 3" D This wall hanging sculpture hangs by the linen loop on the back. Made from wood, milk paint, reclaimed denim and waxed linen. Artists include Kristy Kun, Jason Nemec and John Wirth.

~32" L x 15" W x 3" D This wall hanging sculpture hangs by the linen loop on the back. Made from wood, milk paint, reclaimed denim and waxed linen. Artists include Kristy Kun, Jason Nemec and John Wirth.

~32" L x 15" W x 3" D This wall hanging sculpture hangs by the linen loop on the back. Made from wood, milk paint, reclaimed denim and waxed linen. Artists include Kristy Kun, Jason Nemec and John Wirth.

The tiles came first - looking through the changing leaves to the light beyond seemed to speak to the hope of winter and the promise of spring. Materials include fused glass, forged iron and walnut. Made by Angelita Surmon, Lisa Geertsen and Tai Lake.

The tiles came first - looking through the changing leaves to the light beyond seemed to speak to the hope of winter and the promise of spring. Materials include fused glass, forged iron and walnut. Made by Angelita Surmon, Lisa Geertsen and Tai Lake.

The tiles came first - looking through the changing leaves to the light beyond seemed to speak to the hope of winter and the promise of spring. Materials include fused glass, forged iron and walnut. Made by Angelita Surmon, Lisa Geertsen and Tai Lake.

9" L x 6" H x 4" D This piece is about aesthetic beauty, balance and motion. Made of Alaskan yellow cedar, cypress, copper and milk paint by John Strohbehn, Kim Winkle and Arielle Brackett.

9" L x 6" H x 4" D This piece is about aesthetic beauty, balance and motion. Made of Alaskan yellow cedar, cypress, copper and milk paint by John Strohbehn, Kim Winkle and Arielle Brackett.

9" L x 6" H x 4" D This piece is about aesthetic beauty, balance and motion. Made of Alaskan yellow cedar, cypress, copper and milk paint by John Strohbehn, Kim Winkle and Arielle Brackett.

12" x 16" This is a collaborative painting. A water-powered drawing machine placed on the creek at Camp Colton made the initial marks, and then each artist embellished them. Artists include Jason Greene, Angelita Surmon and Mardy Widman.

9" H x 7" W x 2" D, closed. An evolution in the bookbinding form both historically and personally. Made by John Wirth, Julie Johnson, Arielle Brackett, Tami Dean and Ben Smith. Materials include eucalyptus-printed deerhide, an electroplated sea form, handmade iris and kozo paper, bone and waxed linen.

9" H x 7" W x 2" D, closed. An evolution in the bookbinding form both historically and personally. Made by John Wirth, Julie Johnson, Arielle Brackett, Tami Dean and Ben Smith. Materials include eucalyptus-printed deerhide, an electroplated sea form, handmade iris and kozo paper, bone and waxed linen.

9" H x 7" W x 2" D, closed. An evolution in the bookbinding form both historically and personally. Made by John Wirth, Julie Johnson, Arielle Brackett, Tami Dean and Ben Smith. Materials include eucalyptus-printed deerhide, an electroplated sea form, handmade iris and kozo paper, bone and waxed linen.

9" H x 7" W x 2" D, closed. An evolution in the bookbinding form both historically and personally. Made by John Wirth, Julie Johnson, Arielle Brackett, Tami Dean and Ben Smith. Materials include eucalyptus-printed deerhide, an electroplated sea form, handmade iris and kozo paper, bone and waxed linen.

11" x 14" The drawing started in the creek using Jason Greene's handcrafted automatic drawing device and it came out suggesting brambles. Made with paper, acrylic and ink by Jason Greene, Angelita Surmon and the stream.

6" H x 2" D / each. These turned candlesticks were carved, textured and painted with acrylics.The surface is intended to be reminiscent of a cooling lava field. Made by Bob Rotche from wood and acrylic.

6" H x 2" D / each. These turned candlesticks were carved, textured and painted with acrylics.The surface is intended to be reminiscent of a cooling lava field. Made by Bob Rotche from wood and acrylic.

6" W x 9" H John Wirth met the challenge of a making a leather-bound round back book. Made with dyed leather, Julie's handmade cotton and abaca paper, antique Swedish marbled paper and waxed linen thread. Made by John Wirth and Julie Johnson.

6" W x 9" H John Wirth met the challenge of a making a leather-bound round back book. Made with dyed leather, Julie's handmade cotton and abaca paper, antique Swedish marbled paper and waxed linen thread. Made by John Wirth and Julie Johnson.

6" W x 9" H John Wirth met the challenge of a making a leather-bound round back book. Made with dyed leather, Julie's handmade cotton and abaca paper, antique Swedish marbled paper and waxed linen thread. Made by John Wirth and Julie Johnson.

Framed 11" x 14". This drawing was created in Canyon Creek at Camp Colton using Jason Greene's unique water-powered drawing apparatus which consisted of a large found cedar branch suspended by a metal spike made by Dale DuVall.

Framed 11" x 14". This drawing was created in Canyon Creek at Camp Colton using Jason Greene's unique water-powered drawing apparatus which consisted of a large found cedar branch suspended by a metal spike made by Dale DuVall.

20" H x 16" W x 3/4" D This group block print is part of a Frogwood tradition where most artists make a small lino-cut. Rory Sparks then magically arranges the prints and prints them on paper made by Julie Johnson. Marjin Wall made the frame and Kim Winkle then painted it. This print is number 1 of an edition of 25, and is signed by all the contributing artists, including: Kim Winkle, Kevin Shluka, Michael de Forest, Jerry Harris, Karen Ernst, David Williams, Ben Smith, Tami Dean, John Wirth, Rose Covert, Kristin Mitsu Shiga and John Strohbehn.

20" H x 16" W x 3/4" D This group block print is part of a Frogwood tradition where most artists make a small lino-cut. Rory Sparks then magically arranges the prints and prints them on paper made by Julie Johnson. Marjin Wall made the frame and Kim Winkle then painted it. This print is number 1 of an edition of 25, and is signed by all the contributing artists including: Kim Winkle, Kevin Shluka, Michael de Forest, Jerry Harris, Karen Ernst, David Williams, Ben Smith, Tami Dean, John Wirth, Rose Covert, Kristin Mitsu Shiga and John Strohbehn.

20" H x 16" W x 3/4 D This group block print is part of a Frogwood tradition where most artists create a small lino-cut. Rory Sparks then magically arranges the prints and prints them on paper made by Julie Johnson. Marjin Wall made the frame and Bob Rotche then textured and painted it. This print is number 1 of an edition of 25, and is signed by all the contributing artists, including: Bob Rotche, Joshua Enck, Barbara Frederikson, Kristin Mitsu Shiga, Arthur Perlett, Biba Schutz, Michael Hosaluk, Marjin Wall, Michael Hosaluk, Greg Wilbur, Arielle Brackett and Tami Dean.

20" H x 16" W x 3/4 D This group block print is part of a Frogwood tradition where most artists create a small lino-cut. Rory Sparks then magically arranges the prints and prints them on paper made by Julie Johnson. Marjin Wall made the frame and Bob Rotche then textured and painted it. This print is number 1 of an edition of 25, and is signed by all the contributing artists, including: Bob Rotche, Joshua Enck, Barbara Frederikson, Kristin Mitsu Shiga, Arthur Perlett, Biba Schutz, Michael Hosaluk, Marjin Wall, Michael Hosaluk, Greg Wilbur, Arielle Brackett and Tami Dean.

12" H x 11" W x 5" D. This piece is a nod to Portland and also influenced by Arthur's partner's career choice as a piercer. Carved from western maple, with additions of bronze, horse hair and brass. Artists include Arthur Perlett, Kellen Bateman, and Cassie Rosteski.

12" H x 11" W x 5" D. This piece is a nod to Portland and also influenced by Arthur's partner's career choice as a piercer. Carved from western maple, with additions of bronze, horse hair and brass. Artists include Arthur Perlett, Kellen Bateman, and Cassie Rosteski.

12" H x 11" W x 5" D. This piece is a nod to Portland and also influenced by Arthur's partner's career choice as a piercer. Carved from western maple, with additions of bronze, horse hair and brass. Artists include Arthur Perlett, Kellen Bateman, and Cassie Rosteski.

12" H x 11" W x 5" D. This piece is a nod to Portland and also influenced by Arthur's partner's career choice as a piercer. Carved from western maple, with additions of bronze, horse hair and brass. Artists include Arthur Perlett, Kellen Bateman, and Cassie Rosteski.

8" L x 6 "H x 5" W Hookah-inspired, we love our break time! Made from wood, blackwood, bronze, cork, clay, and milk paint. Artists include Steve Newberry, Bill Moore, Kim Winkle and Mike Free.

8" L x 6 "H x 5" W Hookah-inspired, we love our break time! Made from wood, blackwood, bronze, cork, clay, and milk paint. Artists include Steve Newberry, Bill Moore, Kim Winkle and Mike Free.

8" L x 6 "H x 5" W Hookah-inspired, we love our break time! Made from wood, blackwood, bronze, cork, clay, and milk paint. Artists include Steve Newberry, Bill Moore, Kim Winkle and Mike Free.

14 L x 3 H x 3 D Handcarved spoon featuring segments of shapes and colors that are animated by a subtle arc. The spoon’s bowl is resplendent with faux gold leaf. Made of basswood, milk paint and gold leaf by Karen Ernst and Kim Winkle.

14 L x 3 H x 3 D Handcarved spoon featuring segments of shapes and colors that are animated by a subtle arc. The spoon’s bowl is resplendent with faux gold leaf. Made of basswood, milk paint and gold leaf by Karen Ernst and Kim Winkle.

14 L x 3 H x 3 D Handcarved spoon featuring segments of shapes and colors that are animated by a subtle arc. The spoon’s bowl is resplendent with faux gold leaf. Made of basswood, milk paint and gold leaf by Karen Ernst and Kim Winkle.

This stool is designed to have a bit of bounce. The seat is made from giant sequoia with a chiseled surface and the base is fashioned from steel found objects. Artists include Jason Nemec and Kevin Shluka.

This stool is designed to have a bit of bounce. The seat is made from giant sequoia with a chiseled surface and the base is fashioned from steel found objects. Artists include Jason Nemec and Kevin Shluka.

36" H x 24" W x 19" D Suspense: A state or feeling of excited or anxious uncertainty about what may happen. Made of walnut and oak by Tai Lake and Ron Gerton. (Side note: the chair is actually very stable.)

36" H x 24" W x 19" D Suspense: A state or feeling of excited or anxious uncertainty about what may happen. Made of walnut and oak by Tai Lake and Ron Gerton. (Side note: the chair is actually very stable.)

36" H x 24" W x 19" D Suspense: A state or feeling of excited or anxious uncertainty about what may happen. Made of walnut and oak by Tai Lake and Ron Gerton. (Side note: the chair is actually very stable.)

13"H x 4"D This piece started with a large test tube - which suggested it should house a specimen for display. Kristin Shiga made the specimen "LB-1602-A", cast from a real orchid by Lisa Geertsen. Jason fashioned the wood top and coordinated the collab. A funny conversation with Frans Lotz and Kristin led to the idea to display the specimen in an unstable base made from something heavy and crude. Frans devised a way to ensure the base would wobble but not fall over (it is weighted with sand from the sandblast cabinet). Kristin had the idea to suspend the specimen such that it would swing and react to the movement of the base. The intent is to make the viewer a little nervous until they realize it won't fall over. Materials include: steel, blasting sand, wood, milk paint, pigments, silver, 22 K gold and zirconia.

13"H x 4"D This piece started with a large test tube - which suggested it should house a specimen for display. Kristin Shiga made the specimen "LB-1602-A", cast from a real orchid by Lisa Geertsen. Jason fashioned the wood top and coordinated the collab. A funny conversation with Frans Lotz and Kristin led to the idea to display the specimen in an unstable base made from something heavy and crude. Frans devised a way to ensure the base would wobble but not fall over (it is weighted with sand from the sandblast cabinet). Kristin had the idea to suspend the specimen such that it would swing and react to the movement of the base. The intent is to make the viewer a little nervous until they realize it won't fall over. Materials include: steel, blasting sand, wood, milk paint, pigments, silver, 22 K gold and zirconia.

13"H x 4"D This piece started with a large test tube - which suggested it should house a specimen for display. Kristin Shiga made the specimen "LB-1602-A", cast from a real orchid by Lisa Geertsen. Jason fashioned the wood top and coordinated the collab. A funny conversation with Frans Lotz and Kristin led to the idea to display the specimen in an unstable base made from something heavy and crude. Frans devised a way to ensure the base would wobble but not fall over (it is weighted with sand from the sandblast cabinet). Kristin had the idea to suspend the specimen such that it would swing and react to the movement of the base. The intent is to make the viewer a little nervous until they realize it won't fall over. Materials include: steel, blasting sand, wood, milk paint, pigments, silver, 22 K gold and zirconia.

22" H x 14" W x 9 1/2" D This kinetic sculpture was inspired by the camp breeze. Made of steel, brass, copper, glass, walnut and ash by Danielle Barbour, Tai Lake, Kellan Bateham, Angelita Surmon and Mike Free.

22" H x 14" W x 9 1/2" D This kinetic sculpture was inspired by the camp breeze. Made of steel, brass, copper, glass, walnut and ash by Danielle Barbour, Tai Lake, Kellan Bateham, Angelita Surmon and Mike Free.

22" H x 14" W x 9 1/2" D This kinetic sculpture was inspired by the camp breeze. Made of steel, brass, copper, glass, walnut and ash by Danielle Barbour, Tai Lake, Kellan Bateham, Angelita Surmon and Mike Free.

22" H x 14" W x 9 1/2" D This kinetic sculpture was inspired by the camp breeze. Made of steel, brass, copper, glass, walnut and ash by Danielle Barbour, Tai Lake, Kellan Bateham, Angelita Surmon and Mike Free.

21" W x 15"H X 4" D Holly is an invasive tree in the Pacific Northwest. Its berries are spread by birds throughout the forest where it can grow in full shade, often at the base of an allopathic tree. Removing the holly tree - as we did for this piece - and using it as a substitute for ivory felt like a poetic use of materials. Angelita's forest scenes echoed the object's origins and imbued the sculpture with a story of its place and time. Made by Kevin Shulka and Angelita Surmon with holly, acrylic and steel.

21" W x 15"H X 4" D Holly is an invasive tree in the Pacific Northwest. Its berries are spread by birds throughout the forest where it can grow in full shade, often at the base of an allopathic tree. Removing the holly tree - as we did for this piece - and using it as a substitute for ivory felt like a poetic use of materials. Angelita's forest scenes echoed the object's origins and imbued the sculpture with a story of its place and time. Made by Kevin Shulka and Angelita Surmon with holly, acrylic and steel.

21" W x 15"H X 4" D Holly is an invasive tree in the Pacific Northwest. Its berries are spread by birds throughout the forest where it can grow in full shade, often at the base of an allopathic tree. Removing the holly tree - as we did for this piece - and using it as a substitute for ivory felt like a poetic use of materials. Angelita's forest scenes echoed the object's origins and imbued the sculpture with a story of its place and time. Made by Kevin Shulka and Angelita Surmon with holly, acrylic and steel.

2" x 4" x 3" Brooch made with copper, sterling silver and stainless steel by Greg Wilbur and Biba Schutz.

2" x 4" x 3" Brooch made with copper, sterling silver and stainless steel by Greg Wilbur and Biba Schutz.

Another children's story - this one slightly sinister. Made by Tami Dean and Christian Burchard in maple, madrone, iron, linen thread and sterling silver.

Another children's story - this one slightly sinister. Made by Tami Dean and Christian Burchard in maple, madrone, iron, linen thread and sterling silver.

Another children's story - this one slightly sinister. Made by Tami Dean and Christian Burchard in maple, madrone, iron, linen thread and sterling silver.

8" x 8" x 7 1/2"H This piece started (conceptually) as a pieced square bowl, but evolved into an ode to wood.Materials include black walnut, reeds, maple, ebony and acrylic paint. Made by Jerry Harris and Lisa Finch-Wiser.

8" x 8" x 7 1/2"H This piece started (conceptually) as a pieced square bowl, but evolved into an ode to wood.Materials include black walnut, reeds, maple, ebony and acrylic paint. Made by Jerry Harris and Lisa Finch-Wiser.

18" H x 18" W This piece is a fun contemporary take on the traditional camp stool. It features a hand cut, dyed, tooled leather seat with fern leaves. The walnut legs are turned, textured and milk painted. When not in use the legs fold compactly to 24" L x 3"D and the top becomes flat. The leather seat will become more supple and even more comfy with use. Materials are walnut, milk paint, leather and dye. Made by Cassie Rosteski, Marjin Wall, Kim Winkle and Arthur Perlett.

18" H x 18" W This piece is a fun contemporary take on the traditional camp stool. It features a hand cut, dyed, tooled leather seat with fern leaves. The walnut legs are turned, textured and milk painted. When not in use the legs fold compactly to 24" L x 3"D and the top becomes flat. The leather seat will become more supple and even more comfy with use. Materials are walnut, milk paint, leather and dye. Made by Cassie Rosteski, Marjin Wall, Kim Winkle and Arthur Perlett.

18" H x 18" W This piece is a fun contemporary take on the traditional camp stool. It features a hand cut, dyed, tooled leather seat with fern leaves. The walnut legs are turned, textured and milk painted. When not in use the legs fold compactly to 24" L x 3"D and the top becomes flat. The leather seat will become more supple and even more comfy with use. Materials are walnut, milk paint, leather and dye. Made by Cassie Rosteski, Marjin Wall, Kim Winkle and Arthur Perlett.

10" H x 6" W x 1" D Made from harakeke (NZ flax) paper, raurekau (NZ native) dye, harakeke seed pod dye, Camp Colton foraged ash and earth pigment, cotton/abaca paper, muka (strong fine fiber extracted from harakeke). The primary artist, Jo Tito, has always loved books, so when she found out that Julie Johnson and John Wirth would be doing book binding at Frogwood, she thought she hit the jackpot as she had always wanted to make books with the harakeke paper she makes. Made with the guidance of Julie and John with inner cotton/abaca pages made by Julie, it also holds a journey of learning process and meaningful conversations. At the center are two spirals, one seen and one unseen, hidden in the spine. These two koru (spirals) reflect te kore - a space of nothingness where all potential lives.

10" H x 6" W x 1" D Made from harakeke (NX flax) paper, raurekau (NZ native) dye, harakeke seed pod dye, Camp Colton foraged ash and earth pigment, cotton/abaca paper, muka (strong fine fiber extracted from harakeke). The primary artist, Jo Tito, has always loved books, so when she found out that Julie Johnson and John Wirth would be doing book binding at Frogwood, she thought she hit the jackpot as she had always wanted to make books with the harakeke paper she makes. Made with the guidance of Julie and John with inner cotton/abaca pages made by Julie, it also holds a journey of learning process and meaningful conversations. At the center are two spirals, one seen and one unseen, hidden in the spine. These two koru (spirals) reflect te kore - a space of nothingness where all potential lives.

10" H x 6" W x 1" D Made from harakeke (NX flax) paper, raurekau (NZ native) dye, harakeke seed pod dye, Camp Colton foraged ash and earth pigment, cotton/abaca paper, muka (strong fine fiber extracted from harakeke). The primary artist, Jo Tito, has always loved books, so when she found out that Julie Johnson and John Wirth would be doing book binding at Frogwood, she thought she hit the jackpot as she had always wanted to make books with the harakeke paper she makes. Made with the guidance of Julie and John with inner cotton/abaca pages made by Julie, it also holds a journey of learning process and meaningful conversations. At the center are two spirals, one seen and one unseen, hidden in the spine. These two koru (spirals) reflect te kore - a space of nothingness where all potential lives.

6"L x 1"W Bottle opener in iron and Brazilian rosewood. Fabricated by Dale DuVall and Clay McCabe.

5 feet long. This hanging, rope piece is about materials talking to and interacting with each other very slowly. (A photo would help to add more description!) Made from T-Shirt-based rope, wood, found object, copper and steel. Artists include Krist Kun, Frans Lotz, Amarette Gregor, and Mike Free.

5 feet long. This hanging, rope piece is about materials talking to and interacting with each other very slowly. (A photo would help to add more description!) Made from T-Shirt-based rope, wood, found object, copper and steel. Artists include Krist Kun, Frans Lotz, Amarette Gregor, and Mike Free.

5 feet long. This hanging, rope piece is about materials talking to and interacting with each other very slowly. (A photo would help to add more description!) Made from T-Shirt-based rope, wood, found object, copper and steel. Artists include Krist Kun, Frans Lotz, Amarette Gregor, and Mike Free.

5"H x 3 1/2" W x 5"L Greg Wilbur's raised silver dipper needed a cradle; the tagua nut cradle needed a base (stone). Made by Sally Ault and Greg Wilbur.

5"H x 3 1/2" W x 5"L Greg Wilbur's raised silver dipper needed a cradle; the tagua nut cradle needed a base (stone). Made by Sally Ault and Greg Wilbur.

5"H x 3 1/2" W x 5"L Greg Wilbur's raised silver dipper needed a cradle; the tagua nut cradle needed a base (stone). Made by Sally Ault and Greg Wilbur.

7 1/2" H x 20 1/2"W The panel directed the landscape theme towards an open space with foreground, middle ground and high horizon. The carving created a texture mimicking the possible landscape elements. Artists include Tom Willing and Lisa Finch-Wiser.

12"H x 6" x 6" This piece was inspired by the weathered, desert-dry driftwood and is about waiting for the rains after a long dry season. Materials used include yellow cedar, driftwood and raised copper. Artists include John Strohbehn and Greg Wilbur.

12"H x 6" x 6" This piece was inspired by the weathered, desert-dry driftwood and is about waiting for the rains after a long dry season. Materials used include yellow cedar, driftwood and raised copper. Artists include John Strohbehn and Greg Wilbur.

8" D x 7" H This bowl was inspired by the movement and shadows in the forest around Camp Colton. Made of magnolia, copper and brass by Jerry Harris and Arielle Brackett.

8" D x 7" H This bowl was inspired by the movement and shadows in the forest around Camp Colton. Made of magnolia, copper and brass by Jerry Harris and Arielle Brackett.

8" D x 7" H This bowl was inspired by the movement and shadows in the forest around Camp Colton. Made of magnolia, copper and brass by Jerry Harris and Arielle Brackett.

8" D x 7" H This bowl was inspired by the movement and shadows in the forest around Camp Colton. Made of magnolia, copper and brass by Jerry Harris and Arielle Brackett.

36"L x 1/16"D. This exercise of gesture in wire is a great project for those interested in playing with metal. Each artist fashioned at least one link, and, as in life, collaboration binds us all together in this necklace. Made in brass by Kristin Shiga, Joan Carrigan, Todd Sheridan, Tami Dean, Amarette Gregor, Arielle Brackett, Tai Lake, Mike Free, Winona Hwang and Biba Schutz.

36"L x 1/16"D. This exercise of gesture in wire is a great project for those interested in playing with metal. Each artist fashioned at least one link, and, as in life, collaboration binds us all together in this necklace. Made in brass by Kristin Shiga, Joan Carrigan, Todd Sheridan, Tami Dean, Amarette Gregor, Arielle Brackett, Tai Lake, Mike Free, Winona Hwang and Biba Schutz.

36"L x 1/16"D. This exercise of gesture in wire is a great project for those interested in playing with metal. Each artist fashioned at least one link, and, as in life, collaboration binds us all together in this necklace. Made in brass by Kristin Shiga, Joan Carrigan, Todd Sheridan, Tami Dean, Amarette Gregor, Arielle Brackett, Tai Lake, Mike Free, Winona Hwang and Biba Schutz.

36"L x 1/16"D. This exercise of gesture in wire is a great project for those interested in playing with metal. Each artist fashioned at least one link, and, as in life, collaboration binds us all together in this necklace. Made in brass by Kristin Shiga, Joan Carrigan, Todd Sheridan, Tami Dean, Amarette Gregor, Arielle Brackett, Tai Lake, Mike Free, Winona Hwang and Biba Schutz.

20" W x 14" H x 4 D This collaborative piece is a Frogwood tradition showcasing very small pieces by multiple artists. Makers are Tai Lake and Mike Free - tower and bumble bee on the left; Danielle Barbour - burl hollow form with fineal; Joan Carrigan - basket; Sally Ault - walnut bowl; Marjin Wall - mini trembleur; Kim Winkle - doo dad; Lisa Geertsen - forged steel leaf form; Marjin Wall - ash box; Kristy Kun and Christian Burchard - fiber and metal boat form; Tom Willing - walnut bowl. Tom Willing and Arthur Perlett constructed the cherry display unit.

20" W x 14" H x 4 D This collaborative piece is a Frogwood tradition showcasing very small pieces by multiple artists. Makers are Tai Lake and Mike Free - tower and bumble bee on the left; Danielle Barbour - burl hollow form with fineal; Joan Carrigan - basket; Sally Ault - walnut bowl; Marjin Wall - mini trembleur; Kim Winkle - doo dad; Lisa Geertsen - forged steel leaf form; Marjin Wall - ash box; Kristy Kun and Christian Burchard - fiber and metal boat form; Tom Willing - walnut bowl. Tom Willing and Arthur Perlett constructed the cherry display unit.

20" W x 14" H x 4 D This collaborative piece is a Frogwood tradition showcasing very small pieces by multiple artists. Makers are Tai Lake and Mike Free - tower and bumble bee on the left; Danielle Barbour - burl hollow form with fineal; Joan Carrigan - basket; Sally Ault - walnut bowl; Marjin Wall - mini trembleur; Kim Winkle - doo dad; Lisa Geertsen - forged steel leaf form; Marjin Wall - ash box; Kristy Kun and Christian Burchard - fiber and metal boat form; Tom Willing - walnut bowl. Tom Willing and Arthur Perlett constructed the cherry display unit.

20" W x 14" H x 4 D This collaborative piece is a Frogwood tradition showcasing very small pieces by multiple artists. Makers are Tai Lake and Mike Free - tower and bumble bee on the left; Danielle Barbour - burl hollow form with fineal; Joan Carrigan - basket; Sally Ault - walnut bowl; Marjin Wall - mini trembleur; Kim Winkle - doo dad; Lisa Geertsen - forged steel leaf form; Marjin Wall - ash box; Kristy Kun and Christian Burchard - fiber and metal boat form; Tom Willing - walnut bowl. Tom Willing and Arthur Perlett constructed the cherry display unit.

20" W x 14" H x 4 D This collaborative piece is a Frogwood tradition showcasing very small pieces by multiple artists. Makers are Tai Lake and Mike Free - tower and bumble bee on the left; Danielle Barbour - burl hollow form with fineal; Joan Carrigan - basket; Sally Ault - walnut bowl; Marjin Wall - mini trembleur; Kim Winkle - doo dad; Lisa Geertsen - forged steel leaf form; Marjin Wall - ash box; Kristy Kun and Christian Burchard - fiber and metal boat form; Tom Willing - walnut bowl. Tom Willing and Arthur Perlett constructed the cherry display unit.

20" W x 14" H x 4 D This collaborative piece is a Frogwood tradition showcasing very small pieces by multiple artists. Makers are Tai Lake and Mike Free - tower and bumble bee on the left; Danielle Barbour - burl hollow form with fineal; Joan Carrigan - basket; Sally Ault - walnut bowl; Marjin Wall - mini trembleur; Kim Winkle - doo dad; Lisa Geertsen - forged steel leaf form; Marjin Wall - ash box; Kristy Kun and Christian Burchard - fiber and metal boat form; Tom Willing - walnut bowl. Tom Willing and Arthur Perlett constructed the cherry display unit.

20" W x 14" H x 4 D This collaborative piece is a Frogwood tradition showcasing very small pieces by multiple artists. Makers are Tai Lake and Mike Free - tower and bumble bee on the left; Danielle Barbour - burl hollow form with fineal; Joan Carrigan - basket; Sally Ault - walnut bowl; Marjin Wall - mini trembleur; Kim Winkle - doo dad; Lisa Geertsen - forged steel leaf form; Marjin Wall - ash box; Kristy Kun and Christian Burchard - fiber and metal boat form; Tom Willing - walnut bowl. Tom Willing and Arthur Perlett constructed the cherry display unit.

20" W x 14" H x 4 D This collaborative piece is a Frogwood tradition showcasing very small pieces by multiple artists. Makers are Tai Lake and Mike Free - tower and bumble bee on the left; Danielle Barbour - burl hollow form with fineal; Joan Carrigan - basket; Sally Ault - walnut bowl; Marjin Wall - mini trembleur; Kim Winkle - doo dad; Lisa Geertsen - forged steel leaf form; Marjin Wall - ash box; Kristy Kun and Christian Burchard - fiber and metal boat form; Tom Willing - walnut bowl. Tom Willing and Arthur Perlett constructed the cherry display unit.

20" W x 14" H x 4 D This collaborative piece is a Frogwood tradition showcasing very small pieces by multiple artists. Makers are Tai Lake and Mike Free - tower and bumble bee on the left; Danielle Barbour - burl hollow form with fineal; Joan Carrigan - basket; Sally Ault - walnut bowl; Marjin Wall - mini trembleur; Kim Winkle - doo dad; Lisa Geertsen - forged steel leaf form; Marjin Wall - ash box; Kristy Kun and Christian Burchard - fiber and metal boat form; Tom Willing - walnut bowl. Tom Willing and Arthur Perlett constructed the cherry display unit.

13" H x 12" W x 6" D. This piece is intended as a visual lullaby, a sweet dream or beloved song. Willow bark, raised metal and wood. Artists include Rose Covert, John Strohbehn and Greg Wilbur.

13" H x 12" W x 6" D. This piece is intended as a visual lullaby, a sweet dream or beloved song. Willow bark, raised metal and wood. Artists include Rose Covert, John Strohbehn and Greg Wilbur.

13" H x 12" W x 6" D. This piece is intended as a visual lullaby, a sweet dream or beloved song. Willow bark, raised metal and wood. Artists include Rose Covert, John Strohbehn and Greg Wilbur.

13" H x 12" W x 6" D. This piece is intended as a visual lullaby, a sweet dream or beloved song. Willow bark, raised metal and wood. Artists include Rose Covert, John Strohbehn and Greg Wilbur.

13" H x 12" W x 6" D. This piece is intended as a visual lullaby, a sweet dream or beloved song. Willow bark, raised metal and wood. Artists include Rose Covert, John Strohbehn and Greg Wilbur.

12" L x 6 1/2" D x 5 1/2" H This piece began with an airbrush painted and dyed bowl created on the lathe by Sally Ault. Todd Sheridan cast the glass from molds made from sea urchins. Karen Ernst shaped and carved the sequoia platform followingng the shapes of the bowl and glass discs. Marjin Wall then turned the feet. Materials include sequoia, ash, maple, cast glass, dye and paint.

12" L x 6 1/2" D x 5 1/2" H This piece began with an airbrush painted and dyed bowl created on the lathe by Sally Ault. Todd Sheridan cast the glass from molds made from sea urchins. Karen Ernst shaped and carved the sequoia platform followingng the shapes of the bowl and glass discs. Marjin Wall then turned the feet. Materials include sequoia, ash, maple, cast glass, dye and paint.

12" L x 6 1/2" D x 5 1/2" H This piece began with an airbrush painted and dyed bowl created on the lathe by Sally Ault. Todd Sheridan cast the glass from molds made from sea urchins. Karen Ernst shaped and carved the sequoia platform followingng the shapes of the bowl and glass discs. Marjin Wall then turned the feet. Materials include sequoia, ash, maple, cast glass, dye and paint.

12" L x 6 1/2" D x 5 1/2" H This piece began with an airbrush painted and dyed bowl created on the lathe by Sally Ault. Todd Sheridan cast the glass from molds made from sea urchins. Karen Ernst shaped and carved the sequoia platform followingng the shapes of the bowl and glass discs. Marjin Wall then turned the feet. Materials include sequoia, ash, maple, cast glass, dye and paint.

1 3/4 " W, with belt holes from 32" to 41". Hand-cut and stamped leather belt with copper buckle. Made by kate LaGrand, Marjin Wall, Cassie Rosteski, Winona Hwang and Kristin Shiga from leather, copper and brass.

1 3/4 " W, with belt holes from 32" to 41". Hand-cut and stamped leather belt with copper buckle. Made by kate LaGrand, Marjin Wall, Cassie Rosteski, Winona Hwang and Kristin Shiga from leather, copper and brass.

1 3/4 " W, with belt holes from 32" to 41". Hand-cut and stamped leather belt with copper buckle. Made by kate LaGrand, Marjin Wall, Cassie Rosteski, Winona Hwang and Kristin Shiga from leather, copper and brass.

1 3/4 " W, with belt holes from 32" to 41". Hand-cut and stamped leather belt with copper buckle. Made by kate LaGrand, Marjin Wall, Cassie Rosteski, Winona Hwang and Kristin Shiga from leather, copper and brass.

Cap with leather patch commemorating the 2023 Frogwood Collab. Made by Cassie Rosteski and Joan Carrigan.