2025 Online Auction Gallery

3.25"x3.25". Artists: Graeme Priddle and Marjin Wall. Materials: Myrtlewood and acrylic wash. Marjin turned the bracelet from green myrtlewood so it would warp to better fit a hand. Graeme then burnt in a crosshatch design and embellshed it with acrylic washes.

Photo by Dan Krucoff.

3.25"x3.25". Artists: Graeme Priddle and Marjin Wall. Materials: Myrtlewood and acrylic wash. Marjin turned the bracelet from green myrtlewood so it would warp to better fit a hand. Graeme then burnt in a crosshatch design and embellshed it with acrylic washes.

Photo by Winona Hwang.

3.25"x3.25". Artists: Graeme Priddle and Marjin Wall. Materials: Myrtlewood and acrylic wash. Marjin turned the bracelet from green myrtlewood so it would warp to better fit a hand. Graeme then burnt in a crosshatch design and embellshed it with acrylic washes.

Photos by Dan Krucoff.

7"x2.5"x1.75". Artists: John Wirth, Winona Hwang, and Greg Wilbur. Materials: pierced, chased, raised and formed brass. A continuation of our Frogwood collab tradition, John and Winona try to make one decorative spoon per collab. Inspired by flora of various kinds - in contrast to the nature of metal.

Photo by Winona Hwang.

7"x2.5"x1.75". Artists: John Wirth, Winona Hwang, and Greg Wilbur. Materials: pierced, chased, raised and formed brass. A continuation of our Frogwood collab tradition, John and Winona try to make one decorative spoon per collab. Inspired by flora of various kinds - in contrast to the nature of metal.

Photo by Winona Hwang.

7"x2.5"x1.75". Artists: John Wirth, Winona Hwang, and Greg Wilbur. Materials: pierced, chased, raised and formed brass. A continuation of our Frogwood collab tradition, John and Winona try to make one decorative spoon per collab. Inspired by flora of various kinds - in contrast to the nature of metal.

Photo by Winona Hwang.

10"x6"x10". Artists: Jerri Bartholomew, Susan Schimelfining, Julie Johnson, Harete Tito. Kiln cast glass, found steel, dogbane and Acacia gum. The glass house is part of a series started during Covid, wildfires and Black Lives Matter; a cozy dwelling above the chaos. It being held up like a tree house gave rise to it needing a ladder for access - one that seemed to be built by the person who lives there. The ladder was created by Susan with help from Julie (who instructed Susan on how to make dogbane cordage) and Harete (who provided the Acacia gum to stiffen the ladder rungs). Susan was delighted to include the bark in her first dogbane cordage!

Photos by Dan Krucoff.

10"x6"x10". Artists: Jerri Bartholomew, Susan Schimelfining, Julie Johnson, Harete Tito. Kiln cast glass, found steel, dogbane and Acacia gum. The glass house is part of a series started during Covid, wildfires and Black Lives Matter; a cozy dwelling above the chaos. It being held up like a tree house gave rise to it needing a ladder for access - one that seemed to be built by the person who lives there. The ladder was created by Susan with help from Julie (who instructed Susan on how to make dogbane cordage) and Harete (who provided the Acacia gum to stiffen the ladder rungs). Susan was delighted to include the bark in her first dogbane cordage!

Photos by Dan Krucoff.

4.75" long and .75" wide. Artists: Anumi (Annemarie Hoffman) and April Ottey. Materials: Borosilicate glass, matte blue glass links and silver. Dangling asymetrical glass chain link and bezel set safety glass. This evocative set of earrings blends fragility, strength and harmony between materials.

Photos by Dan Krucoff.

4.75" long and .75" wide. Artists: Anumi (Annemarie Hoffman) and April Ottey. Materials: Borosilicate glass, matte blue glass links and silver. Dangling asymetrical glass chain link and bezel set safety glass. This evocative set of earrings blends fragility, strength and harmony between materials.

Photo courtesy of April Ottey.

4.75" long and .75" wide. Artists: Anumi (Annemarie Hoffman) and April Ottey. Materials: Borosilicate glass, matte blue glass links and silver. Dangling asymetrical glass chain link and bezel set safety glass. This evocative set of earrings blends fragility, strength and harmony between materials.

Photo by Winona Hwang.

4.75" long and .75" wide. Artists: Anumi (Annemarie Hoffman) and April Ottey. Materials: Borosilicate glass, matte blue glass links and silver. Dangling asymetrical glass chain link and bezel set safety glass. This evocative set of earrings blends fragility, strength and harmony between materials.

Photo by Winona Hwang.

6"x6"x2". Artists: Sara Thompson and Scott Rumage. Materials: copper, pearls, brass wire. After a supernova, a gas nebula is formed that can generate new stars. This piece is an artistic riff on that process.

Photos by Lee Mahoney.

6"x6"x2". Artists: Sara Thompson and Scott Rumage. Materials: copper, pearls, brass wire. After a supernova, a gas nebula is formed that can generate new stars. This piece is an artistic riff on that process.

Photos by Lee Mahoney.

6"x6"x2". Artists: Sara Thompson and Scott Rumage. Materials: copper, pearls, brass wire. After a supernova, a gas nebula is formed that can generate new stars. This piece is an artistic riff on that process.

Photos by Lee Mahoney.

6"x6"x2". Artists: Sara Thompson and Scott Rumage. Materials: copper, pearls, brass wire. After a supernova, a gas nebula is formed that can generate new stars. This piece is an artistic riff on that process.

Photos by Lee Mahoney.

11"x6.5"x4.5". Artists: Jason Greene, Winona Hwang, Lisa Klakulak and Zachary Pearson. Materials: found river rock, found cedar sticks, felt, brass, glass. Narrative by Jason: "I was sitting down at the creek when this rock starting looking at me. Ddin't think much of it until I turned my back on it. When I turned back around I swear it had moved a few feet. After some close observation I now believe there are many of these little creatures living in the creeks. I was able to coax this little fella away from the water by feeding him a steady supply of stone flies."

Photos by Dan Krucoff.

11"x6.5"x4.5". Artists: Jason Greene, Winona Hwang, Lisa Klakulak and Zachary Pearson. Materials: found river rock, found cedar sticks, felt, brass, glass. Narrative by Jason: "I was sitting down at the creek when this rock starting looking at me. Ddin't think much of it until I turned my back on it. When I turned back around I swear it had moved a few feet. After some close observation I now believe there are many of these little creatures living in the creeks. I was able to coax this little fella away from the water by feeding him a steady supply of stone flies."

Photos by Dan Krucoff.

11"x6.5"x4.5". Artists: Jason Greene, Winona Hwang, Lisa Klakulak and Zachary Pearson. Materials: found river rock, found cedar sticks, felt, brass, glass. Narrative by Jason: "I was sitting down at the creek when this rock starting looking at me. Ddin't think much of it until I turned my back on it. When I turned back around I swear it had moved a few feet. After some close observation I now believe there are many of these little creatures living in the creeks. I was able to coax this little fella away from the water by feeding him a steady supply of stone flies."

Photos by Dan Krucoff.

6"x6". Artists: Michael Hosaluk and Marjin Wall. Materials: Maple wood and hair-on deer hide.

Photos by Dan Krucoff.

6"x6". Artists: Michael Hosaluk and Marjin Wall. Materials: Maple wood and hair-on deer hide.

Photos by Dan Krucoff.

24"x13"x9". Artists: John Strohbehn and Adare. Materials: Madrone wood and oil paint. Inpired by the organic forms of the madrone burl, a woman came out of the form. Adare painted the figure.

Photos by Lee Mahoney.

24"x13"x9". Artists: John Strohbehn and Adare. Materials: Madrone wood and oil paint. Inpired by the organic forms of the madrone burl, a woman came out of the form. Adare painted the figure.

Photos by Lee Mahoney.

24"x13"x9". Artists: John Strohbehn and Adare. Materials: Madrone wood and oil paint. Inpired by the organic forms of the madrone burl, a woman came out of the form. Adare painted the figure.

Photos by Lee Mahoney.

24"x13"x9". Artists: John Strohbehn and Adare. Materials: Madrone wood and oil paint. Inpired by the organic forms of the madrone burl, a woman came out of the form. Adare painted the figure.

Photos by Lee Mahoney.

24"x13"x9". Artists: John Strohbehn and Adare. Materials: Madrone wood and oil paint. Inpired by the organic forms of the madrone burl, a woman came out of the form. Adare painted the figure.

Photos by Lee Mahoney.

24"x13"x9". Artists: John Strohbehn and Adare. Materials: Madrone wood and oil paint. Inpired by the organic forms of the madrone burl, a woman came out of the form. Adare painted the figure.

Photos by Lee Mahoney.

24"x13"x9". Artists: John Strohbehn and Adare. Materials: Madrone wood and oil paint. Inpired by the organic forms of the madrone burl, a woman came out of the form. Adare painted the figure.

Photos by Lee Mahoney.

21"x6"x6". Artists: Kellen Bateham, Clair Guy, Rose Covert. The woven piece was made by Rose using willow bark, cedar bark and walnut bark; the pure iron and mild steel base was made by Kellen Bateham and Clair Guy. This piece is about balance and the interplay between very different natural elements. There is an aspect of free form gestures in the forms: hard and soft, movement and stillness. This piece is in conversation between harmonius parts.

Photos by Lee Mahoney.

21"x6"x6". Artists: Kellen Bateham, Clair Guy, Rose Covert. The woven piece was made by Rose using willow bark, cedar bark and walnut bark; the pure iron and mild steel base was made by Kellen Bateham and Clair Guy. This piece is about balance and the interplay between very different natural elements. There is an aspect of free form gestures in the forms: hard and soft, movement and stillness. This piece is in conversation between harmonius parts.

Photos by Lee Mahoney.

21"x6"x6". Artists: Kellen Bateham, Clair Guy, Rose Covert. The woven piece was made by Rose using willow bark, cedar bark and walnut bark; the pure iron and mild steel base was made by Kellen Bateham and Clair Guy. This piece is about balance and the interplay between very different natural elements. There is an aspect of free form gestures in the forms: hard and soft, movement and stillness. This piece is in conversation between harmonius parts.

Photos by Lee Mahoney.

21"x6"x6". Artists: Kellen Bateham, Clair Guy, Rose Covert. The woven piece was made by Rose using willow bark, cedar bark and walnut bark; the pure iron and mild steel base was made by Kellen Bateham and Clair Guy. This piece is about balance and the interplay between very different natural elements. There is an aspect of free form gestures in the forms: hard and soft, movement and stillness. This piece is in conversation between harmonius parts.

Photos by Lee Mahoney.

10.5"x4"x5". Artists: Alex Gupton, Leondra Brackett, Tai Lake, Ajit Aserappa, April Ottey, Adare, Peter Underwood. Materials: rosewood, maple, cast silver indigo pod, paint, and ink. This lonely box wax left with a broken top from a prvious Frogwood. Tai and Ajit assumed correctly that someone would salvage it at the next collab. Alex and Peter repaired the front enough to paint, which Leondra did to perfection. April's beautiful cast silver indigo pod provided the new focal point. Alex inked the front and coordinated the project.

Photos by Lee Mahoney.

10.5"x4"x5". Artists: Alex Gupton, Leondra Brackett, Tai Lake, Ajit Aserappa, April Ottey, Adare, Peter Underwood. Materials: rosewood, maple, cast silver indigo pod, paint, and ink. This lonely box wax left with a broken top from a prvious Frogwood. Tai and Ajit assumed correctly that someone would salvage it at the next collab. Alex and Peter repaired the front enough to paint, which Leondra did to perfection. April's beautiful cast silver indigo pod provided the new focal point. Alex inked the front and coordinated the project.

Photos by Lee Mahoney.

10.5"x4"x5". Artists: Alex Gupton, Leondra Brackett, Tai Lake, Ajit Aserappa, April Ottey, Adare, Peter Underwood. Materials: rosewood, maple, cast silver indigo pod, paint, and ink. This lonely box wax left with a broken top from a prvious Frogwood. Tai and Ajit assumed correctly that someone would salvage it at the next collab. Alex and Peter repaired the front enough to paint, which Leondra did to perfection. April's beautiful cast silver indigo pod provided the new focal point. Alex inked the front and coordinated the project.

Photos by Lee Mahoney.

10.5"x4"x5". Artists: Alex Gupton, Leondra Brackett, Tai Lake, Ajit Aserappa, April Ottey, Adare, Peter Underwood. Materials: rosewood, maple, cast silver indigo pod, paint, and ink. This lonely box wax left with a broken top from a prvious Frogwood. Tai and Ajit assumed correctly that someone would salvage it at the next collab. Alex and Peter repaired the front enough to paint, which Leondra did to perfection. April's beautiful cast silver indigo pod provided the new focal point. Alex inked the front and coordinated the project.

Photos by Lee Mahoney.

10.5"x4"x5". Artists: Alex Gupton, Leondra Brackett, Tai Lake, Ajit Aserappa, April Ottey, Adare, Peter Underwood. Materials: rosewood, maple, cast silver indigo pod, paint, and ink. This lonely box wax left with a broken top from a prvious Frogwood. Tai and Ajit assumed correctly that someone would salvage it at the next collab. Alex and Peter repaired the front enough to paint, which Leondra did to perfection. April's beautiful cast silver indigo pod provided the new focal point. Alex inked the front and coordinated the project.

Photos by Lee Mahoney.

3.5"x1.5"x28" cord. Artists: Mike Free, Graeme Priddle, Melissa Engler, Kristin Mitsu Shiga. Materials: Black jade, sterling silver, bone, polyester cord. Inspired by New Zealand Maori jade carvings - year of the snake for Melissa.

Photo by Winona Hwang.

3.5"x1.5"x28" cord. Artists: Mike Free, Graeme Priddle, Melissa Engler, Kristin Mitsu Shiga. Materials: Black jade, sterling silver, bone, polyester cord. Inspired by New Zealand Maori jade carvings - year of the snake for Melissa.

Photo by Winona Hwang.

3.5"x1.5"x28" cord. Artists: Mike Free, Graeme Priddle, Melissa Engler, Kristin Mitsu Shiga. Materials: Black jade, sterling silver, bone, polyester cord. Inspired by New Zealand Maori jade carvings - year of the snake for Melissa.

Photo by Winona Hwang.

3.5"x1.5"x28" cord. Artists: Mike Free, Graeme Priddle, Melissa Engler, Kristin Mitsu Shiga. Materials: Black jade, sterling silver, bone, polyester cord. Inspired by New Zealand Maori jade carvings - year of the snake for Melissa.

Photo by Winona Hwang.

4"x3". Artists: Marjin Wall and Dillon Silva. Materials: brass, cherry, maple, and milk paint. Marjin turned the box. The lid was inspired by geometric patterns. Dillon created the finial in response to the box's color and form.

Photos by Dan Krucoff.

4"x3". Artists: Marjin Wall and Dillon Silva. Materials: brass, cherry, maple, and milk paint. Marjin turned the box. The lid was inspired by geometric patterns. Dillon created the finial in response to the box's color and form.

Photos by Dan Krucoff.

4"x3". Artists: Marjin Wall and Dillon Silva. Materials: brass, cherry, maple, and milk paint. Marjin turned the box. The lid was inspired by geometric patterns. Dillon created the finial in response to the box's color and form.

3.5"x3.5". Artists: Marjin Wall and Tami Dean. Materials: cherry, walnut, sterling silver and 18k gold. Marjin turned the beaded box from cherry and the lid from walnut. Tami embellished the lid with a slightly domed and pierced cap and continued the bead motif with a sterling silver and 18k gold finial.

Photos by Dan Krucoff.

Lid details.

3.5"x3.5". Artists: Marjin Wall and Tami Dean. Materials: cherry, walnut, sterling silver and 18k gold. Marjin turned the beaded box from cherry and the lid from walnut. Tami embellished the lid with a slightly domed and pierced cap and continued the bead motif with a sterling silver and 18k gold finial.

Photos by Dan Krucoff.

8"x6"x4". Artists: Anumi Hoffman, Kevin Shluka, Karin Jensvold. Materials: A clock, paint, some wood, glass, and clay polymer. Kevin said, "My journey this year at Frogwood involved taking apart clocks. The numbers needed to go, and Karin painted a just substitue [kelp] that got the aquatic theme rolling (swimming)."

Photos by Dan Krucoff.

8"x6"x4". Artists: Anumi Hoffman, Kevin Shluka, Karin Jensvold. Materials: A clock, paint, some wood, glass, and clay polymer. Kevin said, "My journey this year at Frogwood involved taking apart clocks. The numbers needed to go, and Karin painted a just substitue [kelp] that got the aquatic theme rolling (swimming)."

Photos by Dan Krucoff.

8"x6"x4". Artists: Anumi Hoffman, Kevin Shluka, Karin Jensvold. Materials: A clock, paint, some wood, glass, and clay polymer. Kevin said, "My journey this year at Frogwood involved taking apart clocks. The numbers needed to go, and Karin painted a just substitue [kelp] that got the aquatic theme rolling (swimming)."

Photos by Dan Krucoff.

12"x8". Artists: Steve Newberry and Carol Hall. Materials: cherry, oak, fork and paint. A play on words. Remember to not check your humor at the door...

Photos by Lee Mahoney.

12"x8". Artists: Steve Newberry and Carol Hall. Materials: cherry, oak, fork and paint. A play on words. Remember to not check your humor at the door...

Photos by Lee Mahoney.

12"x8". Artists: Steve Newberry and Carol Hall. Materials: cherry, oak, fork and paint. A play on words. Remember to not check your humor at the door...

Photos by Lee Mahoney.

1 foot x 5 feet. Artists: Peter Underwood and Alexis Hope; Mike Free, Lisa Klakulak, Julie Johnson, Ron Gerton, Zachary Pearson, Kristin Lake, Sally Ault and Michael Hosaluk. Materials: Espresso maker, drill, egg-beater, roller skates, birdcage, felted steam cloud, chess pieces, horn brass, children's math tiles, flashlight and a dead (as found!) hummingbird resting in a nest of lichens and other fibers.

Train of Thought was created by two junk-loving, antique-collecting artists of different generations who live in Seattle, WA (Alexis) and South Kona, HI (Peter). The duo embraced an improvisational style as they worked, moving quickly, not afraid to make mistakes and with a shared belief that every object can be rewritten to create something that never existed before. The combination of swift construction techniques, spending time on whimsical details that make people smile - and contributions from many talented artists who walked by the work bench - all brought this unique piece to life. The artists set off on a wild path, never gave up, and didn't stop until they believed in it.

Photos by Lee Mahoney.

1 foot x 5 feet. Artists: Peter Underwood and Alexis Hope; Mike Free, Lisa Klakulak, Julie Johnson, Ron Gerton, Zachary Pearson, Kristin Lake, Sally Ault and Michael Hosaluk. Materials: Espresso maker, drill, egg-beater, roller skates, birdcage, felted steam cloud, chess pieces, horn brass, children's math tiles, flashlight and a dead (as found!) hummingbird resting in a nest of lichens and other fibers.

Train of Thought was created by two junk-loving, antique-collecting artists of different generations who live in Seattle, WA (Alexis) and South Kona, HI (Peter). The duo embraced an improvisational style as they worked, moving quickly, not afraid to make mistakes and with a shared belief that every object can be rewritten to create something that never existed before. The combination of swift construction techniques, spending time on whimsical details that make people smile - and contributions from many talented artists who walked by the work bench - all brought this unique piece to life. The artists set off on a wild path, never gave up, and didn't stop until they believed in it.

Photos by Lee Mahoney.

1 foot x 5 feet. Artists: Peter Underwood and Alexis Hope; Mike Free, Lisa Klakulak, Julie Johnson, Ron Gerton, Zachary Pearson, Kristin Lake, Sally Ault and Michael Hosaluk. Materials: Espresso maker, drill, egg-beater, roller skates, birdcage, felted steam cloud, chess pieces, horn brass, children's math tiles, flashlight and a dead (as found!) hummingbird resting in a nest of lichens and other fibers.

Train of Thought was created by two junk-loving, antique-collecting artists of different generations who live in Seattle, WA (Alexis) and South Kona, HI (Peter). The duo embraced an improvisational style as they worked, moving quickly, not afraid to make mistakes and with a shared belief that every object can be rewritten to create something that never existed before. The combination of swift construction techniques, spending time on whimsical details that make people smile - and contributions from many talented artists who walked by the work bench - all brought this unique piece to life. The artists set off on a wild path, never gave up, and didn't stop until they believed in it.

Photos by Lee Mahoney.

1 foot x 5 feet. Artists: Peter Underwood and Alexis Hope; Mike Free, Lisa Klakulak, Julie Johnson, Ron Gerton, Zachary Pearson, Kristin Lake, Sally Ault and Michael Hosaluk. Materials: Espresso maker, drill, egg-beater, roller skates, birdcage, felted steam cloud, chess pieces, horn brass, children's math tiles, flashlight and a dead (as found!) hummingbird resting in a nest of lichens and other fibers.

Train of Thought was created by two junk-loving, antique-collecting artists of different generations who live in Seattle, WA (Alexis) and South Kona, HI (Peter). The duo embraced an improvisational style as they worked, moving quickly, not afraid to make mistakes and with a shared belief that every object can be rewritten to create something that never existed before. The combination of swift construction techniques, spending time on whimsical details that make people smile - and contributions from many talented artists who walked by the work bench - all brought this unique piece to life. The artists set off on a wild path, never gave up, and didn't stop until they believed in it.

Photos by Lee Mahoney.

1 foot x 5 feet. Artists: Peter Underwood and Alexis Hope; Mike Free, Lisa Klakulak, Julie Johnson, Ron Gerton, Zachary Pearson, Kristin Lake, Sally Ault and Michael Hosaluk. Materials: Espresso maker, drill, egg-beater, roller skates, birdcage, felted steam cloud, chess pieces, horn brass, children's math tiles, flashlight and a dead (as found!) hummingbird resting in a nest of lichens and other fibers.

Train of Thought was created by two junk-loving, antique-collecting artists of different generations who live in Seattle, WA (Alexis) and South Kona, HI (Peter). The duo embraced an improvisational style as they worked, moving quickly, not afraid to make mistakes and with a shared belief that every object can be rewritten to create something that never existed before. The combination of swift construction techniques, spending time on whimsical details that make people smile - and contributions from many talented artists who walked by the work bench - all brought this unique piece to life. The artists set off on a wild path, never gave up, and didn't stop until they believed in it.

Photos by Lee Mahoney.

1 foot x 5 feet. Artists: Peter Underwood and Alexis Hope; Mike Free, Lisa Klakulak, Julie Johnson, Ron Gerton, Zachary Pearson, Kristin Lake, Sally Ault and Michael Hosaluk. Materials: Espresso maker, drill, egg-beater, roller skates, birdcage, felted steam cloud, chess pieces, horn brass, children's math tiles, flashlight and a dead (as found!) hummingbird resting in a nest of lichens and other fibers.

Train of Thought was created by two junk-loving, antique-collecting artists of different generations who live in Seattle, WA (Alexis) and South Kona, HI (Peter). The duo embraced an improvisational style as they worked, moving quickly, not afraid to make mistakes and with a shared belief that every object can be rewritten to create something that never existed before. The combination of swift construction techniques, spending time on whimsical details that make people smile - and contributions from many talented artists who walked by the work bench - all brought this unique piece to life. The artists set off on a wild path, never gave up, and didn't stop until they believed in it.

Photos by Lee Mahoney.

1 foot x 5 feet. Artists: Peter Underwood and Alexis Hope; Mike Free, Lisa Klakulak, Julie Johnson, Ron Gerton, Zachary Pearson, Kristin Lake, Sally Ault and Michael Hosaluk. Materials: Espresso maker, drill, egg-beater, roller skates, birdcage, felted steam cloud, chess pieces, horn brass, children's math tiles, flashlight and a dead (as found!) hummingbird resting in a nest of lichens and other fibers.

Train of Thought was created by two junk-loving, antique-collecting artists of different generations who live in Seattle, WA (Alexis) and South Kona, HI (Peter). The duo embraced an improvisational style as they worked, moving quickly, not afraid to make mistakes and with a shared belief that every object can be rewritten to create something that never existed before. The combination of swift construction techniques, spending time on whimsical details that make people smile - and contributions from many talented artists who walked by the work bench - all brought this unique piece to life. The artists set off on a wild path, never gave up, and didn't stop until they believed in it.

Photos by Lee Mahoney.

1 foot x 5 feet. Artists: Peter Underwood and Alexis Hope; Mike Free, Lisa Klakulak, Julie Johnson, Ron Gerton, Zachary Pearson, Kristin Lake, Sally Ault and Michael Hosaluk. Materials: Espresso maker, drill, egg-beater, roller skates, birdcage, felted steam cloud, chess pieces, horn brass, children's math tiles, flashlight and a dead (as found!) hummingbird resting in a nest of lichens and other fibers.

Train of Thought was created by two junk-loving, antique-collecting artists of different generations who live in Seattle, WA (Alexis) and South Kona, HI (Peter). The duo embraced an improvisational style as they worked, moving quickly, not afraid to make mistakes and with a shared belief that every object can be rewritten to create something that never existed before. The combination of swift construction techniques, spending time on whimsical details that make people smile - and contributions from many talented artists who walked by the work bench - all brought this unique piece to life. The artists set off on a wild path, never gave up, and didn't stop until they believed in it.

Photos by Lee Mahoney.

1 foot x 5 feet. Artists: Peter Underwood and Alexis Hope; Mike Free, Lisa Klakulak, Julie Johnson, Ron Gerton, Zachary Pearson, Kristin Lake, Sally Ault and Michael Hosaluk. Materials: Espresso maker, drill, egg-beater, roller skates, birdcage, felted steam cloud, chess pieces, horn brass, children's math tiles, flashlight and a dead (as found!) hummingbird resting in a nest of lichens and other fibers.

Train of Thought was created by two junk-loving, antique-collecting artists of different generations who live in Seattle, WA (Alexis) and South Kona, HI (Peter). The duo embraced an improvisational style as they worked, moving quickly, not afraid to make mistakes and with a shared belief that every object can be rewritten to create something that never existed before. The combination of swift construction techniques, spending time on whimsical details that make people smile - and contributions from many talented artists who walked by the work bench - all brought this unique piece to life. The artists set off on a wild path, never gave up, and didn't stop until they believed in it.

Photos by Lee Mahoney.

1 foot x 5 feet. Artists: Peter Underwood and Alexis Hope; Mike Free, Lisa Klakulak, Julie Johnson, Ron Gerton, Zachary Pearson, Kristin Lake, Sally Ault and Michael Hosaluk. Materials: Espresso maker, drill, egg-beater, roller skates, birdcage, felted steam cloud, chess pieces, horn brass, children's math tiles, flashlight and a dead (as found!) hummingbird resting in a nest of lichens and other fibers.

Train of Thought was created by two junk-loving, antique-collecting artists of different generations who live in Seattle, WA (Alexis) and South Kona, HI (Peter). The duo embraced an improvisational style as they worked, moving quickly, not afraid to make mistakes and with a shared belief that every object can be rewritten to create something that never existed before. The combination of swift construction techniques, spending time on whimsical details that make people smile - and contributions from many talented artists who walked by the work bench - all brought this unique piece to life. The artists set off on a wild path, never gave up, and didn't stop until they believed in it.

Photos by Lee Mahoney.

4"x4" each. Artists: Leslie Crist, John Wirth, Julie Johnson, Alex Gupton, Jerri Bartholomew, Ben Smith, Ajit Aserappa. Materials: glass, enamel paint, reeled and plied antique silk, double-couched handmade flax paper with hand-dyed silk centers, waxed linen thread, and nickel chromium wire. This book started with a simple question, " Is it possible to make a book with glass covers? Julie's offer of to make flax paper with Leslie's hand-dyed silk came at the same time that John pressed for content - not just blank pages. Leslie's experiences with silk led her to Rumi's poem and her sketches on glass. Many artists helped repurpose a cordless drill for use as a "spinning wheel" to create the 8-ply silk thread spine. Alex Gupton calligraphied the beautiful poem on the handmade flax paper pages.

Photos by Lee Mahoney.

4"x4" each. Artists: Leslie Crist, John Wirth, Julie Johnson, Alex Gupton, Jerri Bartholomew, Ben Smith, Ajit Aserappa. Materials: glass, enamel paint, reeled and plied antique silk, double-couched handmade flax paper with hand-dyed silk centers, waxed linen thread, and nickel chromium wire. This book started with a simple question, " Is it possible to make a book with glass covers? Julie's offer of to make flax paper with Leslie's hand-dyed silk came at the same time that John pressed for content - not just blank pages. Leslie's experiences with silk led her to Rumi's poem and her sketches on glass. Many artists helped repurpose a cordless drill for use as a "spinning wheel" to create the 8-ply silk thread spine. Alex Gupton calligraphied the beautiful poem on the handmade flax paper pages.

Photos by Lee Mahoney.

4"x4" each. Artists: Leslie Crist, John Wirth, Julie Johnson, Alex Gupton, Jerri Bartholomew, Ben Smith, Ajit Aserappa. Materials: glass, enamel paint, reeled and plied antique silk, double-couched handmade flax paper with hand-dyed silk centers, waxed linen thread, and nickel chromium wire. This book started with a simple question, " Is it possible to make a book with glass covers? Julie's offer of to make flax paper with Leslie's hand-dyed silk came at the same time that John pressed for content - not just blank pages. Leslie's experiences with silk led her to Rumi's poem and her sketches on glass. Many artists helped repurpose a cordless drill for use as a "spinning wheel" to create the 8-ply silk thread spine. Alex Gupton calligraphied the beautiful poem on the handmade flax paper pages.

Photos by Lee Mahoney.

4"x4" each. Artists: Leslie Crist, John Wirth, Julie Johnson, Alex Gupton, Jerri Bartholomew, Ben Smith, Ajit Aserappa. Materials: glass, enamel paint, reeled and plied antique silk, double-couched handmade flax paper with hand-dyed silk centers, waxed linen thread, and nickel chromium wire. This book started with a simple question, " Is it possible to make a book with glass covers? Julie's offer of to make flax paper with Leslie's hand-dyed silk came at the same time that John pressed for content - not just blank pages. Leslie's experiences with silk led her to Rumi's poem and her sketches on glass. Many artists helped repurpose a cordless drill for use as a "spinning wheel" to create the 8-ply silk thread spine. Alex Gupton calligraphied the beautiful poem on the handmade flax paper pages.

Photos by Lee Mahoney.

4"x4" each. Artists: Leslie Crist, John Wirth, Julie Johnson, Alex Gupton, Jerri Bartholomew, Ben Smith, Ajit Aserappa. Materials: glass, enamel paint, reeled and plied antique silk, double-couched handmade flax paper with hand-dyed silk centers, waxed linen thread, and nickel chromium wire. This book started with a simple question, " Is it possible to make a book with glass covers? Julie's offer of to make flax paper with Leslie's hand-dyed silk came at the same time that John pressed for content - not just blank pages. Leslie's experiences with silk led her to Rumi's poem and her sketches on glass. Many artists helped repurpose a cordless drill for use as a "spinning wheel" to create the 8-ply silk thread spine. Alex Gupton calligraphied the beautiful poem on the handmade flax paper pages.

Photos by Lee Mahoney.

Teapot: 6.25"x9"x4.5"; cup: 2.75"x5"x4". Artists: Steve Newberry, Barb Frederiksen-Cross, Melissa Engler, Michael Hosaluk, Graeme Priddle. Dappled light and baby birds safe in their mossy nest. A perfect moment to breathe in the forest and have a spot of tea.

Photos by Dan Krucoff.

Teapot: 6.25"x9"x4.5"; cup: 2.75"x5"x4". Artists: Steve Newberry, Barb Frederiksen-Cross, Melissa Engler, Michael Hosaluk, Graeme Priddle. Dappled light and baby birds safe in their mossy nest. A perfect moment to breathe in the forest and have a spot of tea.

Photos by Dan Krucoff.

Teapot: 6.25"x9"x4.5"; cup: 2.75"x5"x4". Artists: Steve Newberry, Barb Frederiksen-Cross, Melissa Engler, Michael Hosaluk, Graeme Priddle. Dappled light and baby birds safe in their mossy nest. A perfect moment to breathe in the forest and have a spot of tea.

Photos by Dan Krucoff.

5"x11"x4". Artists: David Williams and Frans Lotz. Slate with steel base. In surroundings of the trees, ferns and rocks of Camp Colton, how can you not see the connections?

Photos by Dan Krucoff.

5"x11"x4". Artists: David Williams and Frans Lotz. Slate with steel base. In surroundings of the trees, ferns and rocks of Camp Colton, how can you not see the connections?

Photos by Dan Krucoff.

5"x11"x4". Artists: David Williams and Frans Lotz. Slate with steel base. In surroundings of the trees, ferns and rocks of Camp Colton, how can you not see the connections?

Photos by Dan Krucoff.

5"x11"x4". Artists: David Williams and Frans Lotz. Slate with steel base. In surroundings of the trees, ferns and rocks of Camp Colton, how can you not see the connections?

Photos by Dan Krucoff.

9"x6"x.5" - 18" cord circumference. Artists: Lisa Klakulak, Harete Tito and Deb Curtis. Materials: Harakeke (New Zealand flax) paper pulp, merino wool and cotton thread bezel/encasement and daylily leaf cordage. Lisa was enamoured with the harakeke pulp sculpting that Harete did at Collaboration NZ in 2023 and requested to play with molding wool around the paper form. It reconstituted into pulp while felting around it, allowing for a second round of forming the block. Deb contributed the cordage and provided a third fiber material and process to create a neck piece reprenting some of the fiber neighborhood at Frogwood 2025.

Photo by Winona Hwang.

9"x6"x.5" - 18" cord circumference. Artists: Lisa Klakulak, Harete Tito and Deb Curtis. Materials: Harakeke (New Zealand flax) paper pulp, merino wool and cotton thread bezel/encasement and daylily leaf cordage. Lisa was enamoured with the harakeke pulp sculpting that Harete did at Collaboration NZ in 2023 and requested to play with molding wool around the paper form. It reconstituted into pulp while felting around it, allowing for a second round of forming the block. Deb contributed the cordage and provided a third fiber material and process to create a neck piece reprenting some of the fiber neighborhood at Frogwood 2025.

Photo by Winona Hwang.

9"x6"x.5" - 18" cord circumference. Artists: Lisa Klakulak, Harete Tito and Deb Curtis. Materials: Harakeke (New Zealand flax) paper pulp, merino wool and cotton thread bezel/encasement and daylily leaf cordage. Lisa was enamoured with the harakeke pulp sculpting that Harete did at Collaboration NZ in 2023 and requested to play with molding wool around the paper form. It reconstituted into pulp while felting around it, allowing for a second round of forming the block. Deb contributed the cordage and provided a third fiber material and process to create a neck piece reprenting some of the fiber neighborhood at Frogwood 2025.

Photo by Winona Hwang.

9"x6"x.5" - 18" cord circumference. Artists: Lisa Klakulak, Harete Tito and Deb Curtis. Materials: Harakeke (New Zealand flax) paper pulp, merino wool and cotton thread bezel/encasement and daylily leaf cordage. Lisa was enamoured with the harakeke pulp sculpting that Harete did at Collaboration NZ in 2023 and requested to play with molding wool around the paper form. It reconstituted into pulp while felting around it, allowing for a second round of forming the block. Deb contributed the cordage and provided a third fiber material and process to create a neck piece reprenting some of the fiber neighborhood at Frogwood 2025.

Photo by Winona Hwang.

9"x6"x.5" - 18" cord circumference. Artists: Lisa Klakulak, Harete Tito and Deb Curtis. Materials: Harakeke (New Zealand flax) paper pulp, merino wool and cotton thread bezel/encasement and daylily leaf cordage. Lisa was enamoured with the harakeke pulp sculpting that Harete did at Collaboration NZ in 2023 and requested to play with molding wool around the paper form. It reconstituted into pulp while felting around it, allowing for a second round of forming the block. Deb contributed the cordage and provided a third fiber material and process to create a neck piece reprenting some of the fiber neighborhood at Frogwood 2025.

Photo by Winona Hwang.

12"x22". Artists: Karin Jensvold, Steve Newberry, Frans Lotz and Kevin Shluka. Materials: maple burl slab, archival ink, and an iron stand. Our native shorepine displays beautiful spring clusters of male pollen-bearing cones and tall candles of new growth.

Photos by Lee Mahoney.

12"x22". Artists: Karin Jensvold, Steve Newberry, Frans Lotz and Kevin Shluka. Materials: maple burl slab, archival ink, and an iron stand. Our native shorepine displays beautiful spring clusters of male pollen-bearing cones and tall candles of new growth.

Photos by Lee Mahoney.

12"x22". Artists: Karin Jensvold, Steve Newberry, Frans Lotz and Kevin Shluka. Materials: maple burl slab, archival ink, and an iron stand. Our native shorepine displays beautiful spring clusters of male pollen-bearing cones and tall candles of new growth.

Photos by Lee Mahoney.

16"x20". Artists: Kellen Bateham, Clair Guy, Peter Reich, Danielle Barbour, and Greg Wilbur. Narrative by Greg: "At the 2023 Frogwood, Danielle presented the 'puffs' - a new form for me. What and how?? Turned wood with a special joyous flare at the end. I had been working magnets into my work and envisioned them being used in a similar manner: Plucked and Positioned. The year's collab we lucked out getting Peter Reich. He, Kellen and Clair forged this amazing tree. Wood/Iron/Magnets = Really, really great!" Danielle's wood flower puffs are interactive - they attach with magnets onto the gorgeous, flowing tree.

Photos by Lee Mahoney.

16"x20". Artists: Kellen Bateham, Clair Guy, Peter Reich, Danielle Barbour, and Greg Wilbur. Narrative by Greg: "At the 2023 Frogwood, Danielle presented the 'puffs' - a new form for me. What and how?? Turned wood with a special joyous flare at the end. I had been working magnets into my work and envisioned them being used in a similar manner: Plucked and Positioned. The year's collab we lucked out getting Peter Reich. He, Kellen and Clair forged this amazing tree. Wood/Iron/Magnets = Really, really great!" Danielle's wood flower puffs are interactive - they attach with magnets onto the gorgeous, flowing tree.

Photos by Lee Mahoney.

16"x20". Artists: Kellen Bateham, Clair Guy, Peter Reich, Danielle Barbour, and Greg Wilbur. Narrative by Greg: "At the 2023 Frogwood, Danielle presented the 'puffs' - a new form for me. What and how?? Turned wood with a special joyous flare at the end. I had been working magnets into my work and envisioned them being used in a similar manner: Plucked and Positioned. The year's collab we lucked out getting Peter Reich. He, Kellen and Clair forged this amazing tree. Wood/Iron/Magnets = Really, really great!" Danielle's wood flower puffs are interactive - they attach with magnets onto the gorgeous, flowing tree.

Photo by Julie Johnson.

16"x20". Artists: Kellen Bateham, Clair Guy, Peter Reich, Danielle Barbour, and Greg Wilbur. Narrative by Greg: "At the 2023 Frogwood, Danielle presented the 'puffs' - a new form for me. What and how?? Turned wood with a special joyous flare at the end. I had been working magnets into my work and envisioned them being used in a similar manner: Plucked and Positioned. The year's collab we lucked out getting Peter Reich. He, Kellen and Clair forged this amazing tree. Wood/Iron/Magnets = Really, really great!" Danielle's wood flower puffs are interactive - they attach with magnets onto the gorgeous, flowing tree.

Photo by Julie Johnson.

16"x20". Artists: Kellen Bateham, Clair Guy, Peter Reich, Danielle Barbour, and Greg Wilbur. Narrative by Greg: "At the 2023 Frogwood, Danielle presented the 'puffs' - a new form for me. What and how?? Turned wood with a special joyous flare at the end. I had been working magnets into my work and envisioned them being used in a similar manner: Plucked and Positioned. The year's collab we lucked out getting Peter Reich. He, Kellen and Clair forged this amazing tree. Wood/Iron/Magnets = Really, really great!" Danielle's wood flower puffs are interactive - they attach with magnets onto the gorgeous, flowing tree.

Photos by Lee Mahoney.

15"x4"x3". Artists: Jerri Bartholomew, Greg Wilbur, Amarette Gregor, Susan Schimelfining. Materials: dyed wood, pate de varre glass, salvaged steel, copper and enamel. This piece was inspired by all the interplay between the bold colors of the dyed wood and the delicate hemlock leaves on the goblet. The copper enameled leaf loos like it is growing from the forest floor, where the goblet fell, its armature rusted and falling away.

Photos by Dan Krucoff.

15"x4"x3". Artists: Jerri Bartholomew, Greg Wilbur, Amarette Gregor, Susan Schimelfining. Materials: dyed wood, pate de varre glass, salvaged steel, copper and enamel. This piece was inspired by all the interplay between the bold colors of the dyed wood and the delicate hemlock leaves on the goblet. The copper enameled leaf loos like it is growing from the forest floor, where the goblet fell, its armature rusted and falling away.

Photos by Dan Krucoff.

15"x4"x3". Artists: Jerri Bartholomew, Greg Wilbur, Amarette Gregor, Susan Schimelfining. Materials: dyed wood, pate de varre glass, salvaged steel, copper and enamel. This piece was inspired by all the interplay between the bold colors of the dyed wood and the delicate hemlock leaves on the goblet. The copper enameled leaf loos like it is growing from the forest floor, where the goblet fell, its armature rusted and falling away.

Photos by Dan Krucoff.

5.75"x5"x3.5". Artists: Kevin Jesequel and Melissa Engler. Materials: holly, acrylic paint and graphite. At Frogwood we are all entwined, like the roots, rocks and water that surround us.

Photos by Dan Krucoff.

5.75"x5"x3.5". Artists: Kevin Jesequel and Melissa Engler. Materials: holly, acrylic paint and graphite. At Frogwood we are all entwined, like the roots, rocks and water that surround us.

Photos by Dan Krucoff.

15"x24"x4". Artists: Marjin Wall, Julie Johnson, April Ottey, Harete Tito, Sally Ault, Judy Zugish, Winona Hwang, Mike Free, John Wirth, Ron Gerton, Kristin Mitu Shiga, Rose Covert, Michael Hosaluk, Jerri Bartholomew, Adare, John Strohbehn, Danielle Barbour, Ajit Aserappa, Kathleen Krucoff, Ariellle Brackett, Dillon Silva, Barb Frederiksen-Cross. Materials: Everything imagineable! This incredible collection of 14 tiny treasures are all housed in a milk-painted wood piece made by Marjin Wall.

Photos by Lee Mahoney.

15"x24"x4". Artists: Marjin Wall, Julie Johnson, April Ottey, Harete Tito, Sally Ault, Judy Zugish, Winona Hwang, Mike Free, John Wirth, Ron Gerton, Kristin Mitu Shiga, Rose Covert, Michael Hosaluk, Jerri Bartholomew, Adare, John Strohbehn, Danielle Barbour, Ajit Aserappa, Kathleen Krucoff, Ariellle Brackett, Dillon Silva, Barb Frederiksen-Cross. Materials: Everything imagineable! This incredible collection of 14 tiny treasures are all housed in a milk-painted wood piece made by Marjin Wall.

Photos by Lee Mahoney.

3”x4”. Artist: Sally Ault. Materials: maple burl and fan coral. The roughness of a burl combined with the carefully created curves of the form create a tension that is released in the delicate coral finial.

Photo by Lee Mahoney.

3”x4”. Artist: Sally Ault. Materials: maple burl and fan coral. The roughness of a burl combined with the carefully created curves of the form create a tension that is released in the delicate coral finial.

Photo by Lee Mahoney.

4”x3”. Artists: Barb Frederiksen-Cross, Sally Ault and Kristin Mitsu Shiga. Materials: fine silver, madrone burl and vine maple leaf. With the chaotic pace of the day, the desire to take a moment to savor the peace of the forest and the sweet intoxication of nature.

Photos by Lee Mahoney.

4”x3”. Artists: Barb Frederiksen-Cross, Sally Ault and Kristin Mitsu Shiga. Materials: fine silver, madrone burl and vine maple leaf. With the chaotic pace of the day, the desire to take a moment to savor the peace of the forest and the sweet intoxication of nature.

Photos by Lee Mahoney.

4”x3”x3”. Artist: Jerri Bartholomew. Materials: glass - pate de verre. Shifting sands, blown by wind and wave on the beach.

Photos by Lee Mahoney.

4”x3”x3”. Artist: Jerri Bartholomew. Materials: glass - pate de verre. Shifting sands, blown by wind and wave on the beach.

Photos by Lee Mahoney.

5”x4”x4”. Artist: Rose Covert. Materials: daylily leaves, willow bark, walnut bark and copper wire. This piece was woven using ice as a form to shape the basket around. I wanted to create a shape that fit well in the hand - a round shape to bring out the flow of the materials.

Photos by Lee Mahoney.

5”x4”x4”. Artist: Rose Covert. Materials: daylily leaves, willow bark, walnut bark and copper wire. This piece was woven using ice as a form to shape the basket around. I wanted to create a shape that fit well in the hand - a round shape to bring out the flow of the materials.

Photos by Lee Mahoney.

4”x2”x2”. Artist: Kristin Mitsu Shiga. Materials: hammered and hand-colored copper. There’s only one reason that I found artist collaborations - Greg Wilbur. While I have never formally studied with him, Greg has been a mentor and inspiration throughout my career. These organic hammered copper forms flowed from my hammer in a language I learned by mere proxiity to the rhythm of his making. It symbolizes the sprouting and flowering and fruiting of all the many seeds he has scattered in his lifetime. We are all so grateful for the collab ohana he has forged into being.

Photos by Lee Mahoney.

4”x2”x2”. Artist: Kristin Mitsu Shiga. Materials: hammered and hand-colored copper. There’s only one reason that I found artist collaborations - Greg Wilbur. While I have never formally studied with him, Greg has been a mentor and inspiration throughout my career. These organic hammered copper forms flowed from my hammer in a language I learned by mere proxiity to the rhythm of his making. It symbolizes the sprouting and flowering and fruiting of all the many seeds he has scattered in his lifetime. We are all so grateful for the collab ohana he has forged into being.

Photos by Lee Mahoney.

3”x1.5”. Artist: Michael Hosaluk. Materials: basswood, acrylic paint, and copper. A new species found at Frogwood.

Photos by Lee Mahoney.

3”x1.5”. Artist: Michael Hosaluk. Materials: basswood, acrylic paint, and copper. A new species found at Frogwood.

Photos by Lee Mahoney.

3.5”x3”x1.75”. Artists: Winona Hwang, Mike Free, John Wirth and Ron Gerton. Materials: raised copper, cast sterling silver, carved driftwood, epoxy, found object. Inspired by cloud-rocks and tranquil garden ponds. A little pagoda sits atop a small rock overlooking the pond views.

Photos by Lee Mahoney.

3.5”x3”x1.75”. Artists: Winona Hwang, Mike Free, John Wirth and Ron Gerton. Materials: raised copper, cast sterling silver, carved driftwood, epoxy, found object. Inspired by cloud-rocks and tranquil garden ponds. A little pagoda sits atop a small rock overlooking the pond views.

Photos by Lee Mahoney.

3”x5”x2”. Artist: Judy Zugish. Materials: willow bark, cut copper, copper wire, and peeled spruce root. When you look at sunset light upon a canyon wall - varied ‘ribbons’ are captured; I was looking for s rising line - a jagged edge upon the skyline.

Photos by Lee Mahoney.

3”x5”x2”. Artist: Judy Zugish. Materials: willow bark, cut copper, copper wire, and peeled spruce root. When you look at sunset light upon a canyon wall - varied ‘ribbons’ are captured; I was looking for s rising line - a jagged edge upon the skyline.

Photos by Lee Mahoney.

1.5”x1.5”x4”. Artists: Julie Johnson, April Ottey, Harete Tito and Deb Curtis. Materials: cedar bark, walnut bark, handspun muka, cast silver lichen, and a New Zealand clay tile (inside). The damp forests of the Pacific Northwest, with its lichens and cedar, mingle together with the muka fiber and clay of New Zealand. Julie processed and wove the cedar and made the handspun thread with muka that Harete brought to collab; April cast the silver lichens; Deb brought the walnut bark and rim stitching advice; and Harete shared a clay tile she made during a residency on Stewart Island, Rakiura, NZ. The clay was fired in an open pit.

Photos by Lee Mahoney.

1.5”x1.5”x4”. Artists: Julie Johnson, April Ottey, Harete Tito and Deb Curtis. Materials: cedar bark, walnut bark, handspun muka, cast silver lichen, and a New Zealand clay tile (inside). The damp forests of the Pacific Northwest, with its lichens and cedar, mingle together with the muka fiber and clay of New Zealand. Julie processed and wove the cedar and made the handspun thread with muka that Harete brought to collab; April cast the silver lichens; Deb brought the walnut bark and rim stitching advice; and Harete shared a clay tile she made during a residency on Stewart Island, Rakiura, NZ. The clay was fired in an open pit.

Photos by Lee Mahoney.

4.5”x2.5”x2.5”. Artists: Arielle Brackett, Ajit Aserappa, Kristin Mitsu Shiga, Kathleen Krucoff and Julie Johnson. Materials: wood, cotton thread, plaster, copper, colored pencil and black locust thorns. This piece represents the the beautiful natural landcape of a tropical oasis. It takes the viewer to the place of relaxation and rest. The different textures were combined to create a contrast between smooth and highly-textured.

Photos by Lee Mahoney.

4.5”x2.5”x2.5”. Artists: Arielle Brackett, Ajit Aserappa, Kristin Mitsu Shiga, Kathleen Krucoff and Julie Johnson. Materials: wood, cotton thread, plaster, copper, colored pencil and black locust thorns. This piece represents the the beautiful natural landcape of a tropical oasis. It takes the viewer to the place of relaxation and rest. The different textures were combined to create a contrast between smooth and highly-textured.

Photos by Lee Mahoney.

2.75”x1.5”. Artist: Danielle Barbour. Materials: maple burl with oil finish.

Photos by Lee Mahoney.

2.75”x1.5”. Artist: Danielle Barbour. Materials: maple burl with oil finish.

Photos by Lee Mahoney.

5.5”x3”x2”. Artists: Adare and John Strohbehn. Materials: chopsticks, oils, panel, and New Zealand flax (muka) thread. Even a frog can get framed at Frogwood! The little guy was minding his own business when he got caught and his likeness captured on canvas to forever be yours!

Photos by Lee Mahoney.

1.75”x3.5”. Artist: Dillon Silva. Materials: brass, waxed linen thread, and jasper. Little bell exploring the physical properties of brass through surface function and texture.

Photos by Lee Mahoney.

1.75”x3.5”. Artist: Dillon Silva. Materials: brass, waxed linen thread, and jasper. Little bell exploring the physical properties of brass through surface function and texture.

Photos by Lee Mahoney.

1.75”x3.5”. Artist: Dillon Silva. Materials: brass, waxed linen thread, and jasper. Little bell exploring the physical properties of brass through surface function and texture.

Photos by Lee Mahoney.

1.5”x2”. Artist: Kevin Jesequel. Material: madrone burl. Kevin specializes in hollow forms and turned this incredibly light hollow form in madrone burl.

Photos by Lee Mahoney.

1.5”x2”. Artist: Kevin Jesequel. Material: madrone burl. Kevin specializes in hollow forms and turned this incredibly light hollow form in madrone burl.

Photos by Lee Mahoney.

7"x3.5"x2". Artists: Frans Lotz, Anumi (Annemarie Hoffman) and Dillon Silva. Materials: glass, steel, found trap, and brass. This perfectly old rat trap needed to be brought to its full potential. The tension created by glass creates a pyschological effect. Perfectly machined brass cheese elevates this piece.

Photos by Dan Krucoff.

7"x3.5"x2". Artists: Frans Lotz, Anumi (Annemarie Hoffman) and Dillon Silva. Materials: glass, steel, found trap, and brass. This perfectly old rat trap needed to be brought to its full potential. The tension created by glass creates a pyschological effect. Perfectly machined brass cheese elevates this piece.

Photo by Julie Johnson.

7"x3.5"x2". Artists: Frans Lotz, Anumi (Annemarie Hoffman) and Dillon Silva. Materials: glass, steel, found trap, and brass. This perfectly old rat trap needed to be brought to its full potential. The tension created by glass creates a pyschological effect. Perfectly machined brass cheese elevates this piece.

Photo by Julie Johnson.

7"x3.5"x2". Artists: Frans Lotz, Anumi (Annemarie Hoffman) and Dillon Silva. Materials: glass, steel, found trap, and brass. This perfectly old rat trap needed to be brought to its full potential. The tension created by glass creates a pyschological effect. Perfectly machined brass cheese elevates this piece.

Photos by Dan Krucoff.

7"x3.5"x2". Artists: Frans Lotz, Anumi (Annemarie Hoffman) and Dillon Silva. Materials: glass, steel, found trap, and brass. This perfectly old rat trap needed to be brought to its full potential. The tension created by glass creates a pyschological effect. Perfectly machined brass cheese elevates this piece.

Photos by Dan Krucoff.

24"x4.5"x1.5". Artists: Lisa Geertsen, Kristin Mitsu Shiga, and Arielle Brackett. Materials: wood, silver, copper, waxed linen thread and colored pencils. The inspiration for this necklace came from noticing our natural surroundings. The beautiful details in the leaves and the water inlaid wood piece interacts as its own sweet ecosystem. The green leaves were created with copper and color pencils. The necklace cord is braided waxed linen.

Photo by Winona Hwang.

24"x4.5"x1.5". Artists: Lisa Geertsen, Kristin Mitsu Shiga, and Arielle Brackett. Materials: wood, silver, copper, waxed linen thread and colored pencils. The inspiration for this necklace came from noticing our natural surroundings. The beautiful details in the leaves and the water inlaid wood piece interacts as its own sweet ecosystem. The green leaves were created with copper and color pencils. The necklace cord is braided waxed linen.

Photo by Winona Hwang.

24"x4.5"x1.5". Artists: Lisa Geertsen, Kristin Mitsu Shiga, and Arielle Brackett. Materials: wood, silver, copper, waxed linen thread and colored pencils. The inspiration for this necklace came from noticing our natural surroundings. The beautiful details in the leaves and the water inlaid wood piece interacts as its own sweet ecosystem. The green leaves were created with copper and color pencils. The necklace cord is braided waxed linen.

Photo by Winona Hwang.

24"x4.5"x1.5". Artists: Lisa Geertsen, Kristin Mitsu Shiga, and Arielle Brackett. Materials: wood, silver, copper, waxed linen thread and colored pencils. The inspiration for this necklace came from noticing our natural surroundings. The beautiful details in the leaves and the water inlaid wood piece interacts as its own sweet ecosystem. The green leaves were created with copper and color pencils. The necklace cord is braided waxed linen.

Photo by Dan Krucoff.

Neck cord: 16"; pendant: 3"x3". Artists: Winona Hwang, Angelita Surmon, Tami Dean, and Kristin Mitsu Shiga. Materials: red brass, sterling silver, fused glass and Hawaiian cordage (waxed linen). Set in the springtime, our collab is inspired by the blossoming views of flowers on trees. Arranged with a branch a'top a pendant of glass made by Angelita. A reflection of the blossoms on glass are made of sterling and brass on the back - a secret gift to the wearer. The pendant is suspended on Kristin's beautiful 8-braid waxed linen cord.

Photo by Winona Hwang.

Neck cord: 16"; pendant: 3"x3". Artists: Winona Hwang, Angelita Surmon, Tami Dean, and Kristin Mitsu Shiga. Materials: red brass, sterling silver, fused glass and Hawaiian cordage (waxed linen). Set in the springtime, our collab is inspired by the blossoming views of flowers on trees. Arranged with a branch a'top a pendant of glass made by Angelita. A reflection of the blossoms on glass are made of sterling and brass on the back - a secret gift to the wearer. The pendant is suspended on Kristin's beautiful 8-braid waxed linen cord.

Photo by Winona Hwang.

Neck cord: 16"; pendant: 3"x3". Artists: Winona Hwang, Angelita Surmon, Tami Dean, and Kristin Mitsu Shiga. Materials: red brass, sterling silver, fused glass and Hawaiian cordage (waxed linen). Set in the springtime, our collab is inspired by the blossoming views of flowers on trees. Arranged with a branch a'top a pendant of glass made by Angelita. A reflection of the blossoms on glass are made of sterling and brass on the back - a secret gift to the wearer. The pendant is suspended on Kristin's beautiful 8-braid waxed linen cord.

Photo by Winona Hwang.

Neck cord: 16"; pendant: 3"x3". Artists: Winona Hwang, Angelita Surmon, Tami Dean, and Kristin Mitsu Shiga. Materials: red brass, sterling silver, fused glass and Hawaiian cordage (waxed linen). Set in the springtime, our collab is inspired by the blossoming views of flowers on trees. Arranged with a branch a'top a pendant of glass made by Angelita. A reflection of the blossoms on glass are made of sterling and brass on the back - a secret gift to the wearer. The pendant is suspended on Kristin's beautiful 8-braid waxed linen cord.

Photo by Dan Krucoff.

23"x9"x4". Artists: Alex Gupton, Tami Dean, Mike Free, Kristin Lake, Marjin Wall, Jerri Bartholomew, Susan Schimelfining, Rose Covert,  Angelita Surmon, Deb Curtis, Adare, Melissa Engler, Lisa Geertsen, Judy Zugish, Danielle Barbour and Graeme Priddle. Materials: wooden HVAC floor register, steel base, and every other material available at the collab. This piece provides a window into the creative minds of a few artists. When asked to fill each tiny space with no constraints or barriers, the artists were free to play and let their minds wander. As always, the results are varied, chaotic and random. But as with various personalities and talents, the results are eclectic, fun and strangely cohesive!

Photos by Lee Mahoney.

23"x9"x4". Artists: Alex Gupton, Tami Dean, Mike Free, Kristin Lake, Marjin Wall, Jerri Bartholomew, Susan Schimelfining, Rose Covert,  Angelita Surmon, Deb Curtis, Adare, Melissa Engler, Lisa Geertsen, Judy Zugish, Danielle Barbour and Graeme Priddle. Materials: wooden HVAC floor register, steel base, and every other material available at the collab. This piece provides a window into the creative minds of a few artists. When asked to fill each tiny space with no constraints or barriers, the artists were free to play and let their minds wander. As always, the results are varied, chaotic and random. But as with various personalities and talents, the results are eclectic, fun and strangely cohesive!

Photos by Lee Mahoney.

23"x9"x4". Artists: Alex Gupton, Tami Dean, Mike Free, Kristin Lake, Marjin Wall, Jerri Bartholomew, Susan Schimelfining, Rose Covert,  Angelita Surmon, Deb Curtis, Adare, Melissa Engler, Lisa Geertsen, Judy Zugish, Danielle Barbour and Graeme Priddle. Materials: wooden HVAC floor register, steel base, and every other material available at the collab. This piece provides a window into the creative minds of a few artists. When asked to fill each tiny space with no constraints or barriers, the artists were free to play and let their minds wander. As always, the results are varied, chaotic and random. But as with various personalities and talents, the results are eclectic, fun and strangely cohesive!

Photos by Lee Mahoney.

23"x9"x4". Artists: Alex Gupton, Tami Dean, Mike Free, Kristin Lake, Marjin Wall, Jerri Bartholomew, Susan Schimelfining, Rose Covert,  Angelita Surmon, Deb Curtis, Adare, Melissa Engler, Lisa Geertsen, Judy Zugish, Danielle Barbour and Graeme Priddle. Materials: wooden HVAC floor register, steel base, and every other material available at the collab. This piece provides a window into the creative minds of a few artists. When asked to fill each tiny space with no constraints or barriers, the artists were free to play and let their minds wander. As always, the results are varied, chaotic and random. But as with various personalities and talents, the results are eclectic, fun and strangely cohesive!

Photos by Lee Mahoney.

23"x9"x4". Artists: Alex Gupton, Tami Dean, Mike Free, Kristin Lake, Marjin Wall, Jerri Bartholomew, Susan Schimelfining, Rose Covert,  Angelita Surmon, Deb Curtis, Adare, Melissa Engler, Lisa Geertsen, Judy Zugish, Danielle Barbour and Graeme Priddle. Materials: wooden HVAC floor register, steel base, and every other material available at the collab. This piece provides a window into the creative minds of a few artists. When asked to fill each tiny space with no constraints or barriers, the artists were free to play and let their minds wander. As always, the results are varied, chaotic and random. But as with various personalities and talents, the results are eclectic, fun and strangely cohesive!

Photos by Lee Mahoney.

18"x7". Artists: Te Rautini Sheridan, Graeme Priddle and Peter Reich. Materials: Gourd/calabash, milk paint and steel. Hine-pu-te-hue is the divine being of the gourd. Ranginui, the sky father, sent Hine-pu-te-hue to placate the quarreling brothers. She used her wisdom, wit and creativity to quell them. So we see her as the goddess, the deity of creativity.

Photos by Lee Mahoney.

18"x7". Artists: Te Rautini Sheridan, Graeme Priddle and Peter Reich. Materials: Gourd/calabash, milk paint and steel. Hine-pu-te-hue is the divine being of the gourd. Ranginui, the sky father, sent Hine-pu-te-hue to placate the quarreling brothers. She used her wisdom, wit and creativity to quell them. So we see her as the goddess, the deity of creativity.

Photos by Lee Mahoney.

18"x7". Artists: Te Rautini Sheridan, Graeme Priddle and Peter Reich. Materials: Gourd/calabash, milk paint and steel. Hine-pu-te-hue is the divine being of the gourd. Ranginui, the sky father, sent Hine-pu-te-hue to placate the quarreling brothers. She used her wisdom, wit and creativity to quell them. So we see her as the goddess, the deity of creativity.

Photos by Lee Mahoney.

18"x7". Artists: Te Rautini Sheridan, Graeme Priddle and Peter Reich. Materials: Gourd/calabash, milk paint and steel. Hine-pu-te-hue is the divine being of the gourd. Ranginui, the sky father, sent Hine-pu-te-hue to placate the quarreling brothers. She used her wisdom, wit and creativity to quell them. So we see her as the goddess, the deity of creativity.

Photos by Lee Mahoney.

3"x1.5"x.5". Artists: Harete Tito, Winona Hwang, Zak Pearson,  and Te Rautini Sheridan. Materials: Sterling silver, 14k gold-filled wire, lapis lazuli, handmade harakeke paper dyed with raurekau, stainless steel pin. Manaia are often depicted in Maori carvings - a kaitiaki or guardian, a protector. A piece that transformed into something different from the original idea, just like the manaia form that shifts between bird and fish, affecting all in its path.

Photo by Dan Krucoff.

3"x1.5"x.5". Artists: Harete Tito, Winona Hwang, Zak Pearson,  and Te Rautini Sheridan. Materials: Sterling silver, 14k gold-filled wire, lapis lazuli, handmade harakeke paper dyed with raurekau, stainless steel pin. Manaia are often depicted in Maori carvings - a kaitiaki or guardian, a protector. A piece that transformed into something different from the original idea, just like the manaia form that shifts between bird and fish, affecting all in its path.

Photo by Dan Krucoff.

3"x1.5"x.5". Artists: Harete Tito, Winona Hwang, Zak Pearson,  and Te Rautini Sheridan. Materials: Sterling silver, 14k gold-filled wire, lapis lazuli, handmade harakeke paper dyed with raurekau, stainless steel pin. Manaia are often depicted in Maori carvings - a kaitiaki or guardian, a protector. A piece that transformed into something different from the original idea, just like the manaia form that shifts between bird and fish, affecting all in its path.

Photo by Winona Hwang.

3"x1.5"x.5". Artists: Harete Tito, Winona Hwang, Zak Pearson,  and Te Rautini Sheridan. Materials: Sterling silver, 14k gold-filled wire, lapis lazuli, handmade harakeke paper dyed with raurekau, stainless steel pin. Manaia are often depicted in Maori carvings - a kaitiaki or guardian, a protector. A piece that transformed into something different from the original idea, just like the manaia form that shifts between bird and fish, affecting all in its path.

Photo by Winona Hwang.

6"x1"x.5". Artists: Winona Hwang and Anumi (Annemarie Hoffman). Materials: Fine silver, sterling silver and glow-in-the-dark glass. Peonies that represent love, romance and a new beginning. They are connected by the glowing links as a path to finding love and affection.

Photos by Winona Hwang.

6"x1"x.5". Artists: Winona Hwang and Anumi (Annemarie Hoffman). Materials: Fine silver, sterling silver and glow-in-the-dark glass. Peonies that represent love, romance and a new beginning. They are connected by the glowing links as a path to finding love and affection.

Photo by Winona Hwang.

6"x1"x.5". Artists: Winona Hwang and Anumi (Annemarie Hoffman). Materials: Fine silver, sterling silver and glow-in-the-dark glass. Peonies that represent love, romance and a new beginning. They are connected by the glowing links as a path to finding love and affection.

Photo by Dan Krucoff.

6"x1"x.5". Artists: Winona Hwang and Anumi (Annemarie Hoffman). Materials: Fine silver, sterling silver and glow-in-the-dark glass. Peonies that represent love, romance and a new beginning. They are connected by the glowing links as a path to finding love and affection.

Photo by Winona Hwang.

6"x1"x.5". Artists: Winona Hwang and Anumi (Annemarie Hoffman). Materials: Fine silver, sterling silver and glow-in-the-dark glass. Peonies that represent love, romance and a new beginning. They are connected by the glowing links as a path to finding love and affection.

Photo by Winona Hwang.

6"x1"x.5". Artists: Winona Hwang and Anumi (Annemarie Hoffman). Materials: Fine silver, sterling silver and glow-in-the-dark glass. Peonies that represent love, romance and a new beginning. They are connected by the glowing links as a path to finding love and affection.

Photo by Winona Hwang.

12"x4"x4". Artists: April Ottey, Lisa Klakulak, Ron Gerton. Materials: Bronze, stone, wool and dogbane fiber. A holdfast is a root-like structure that acts as an anchor. A beautiful symbol of stability.The holdfast was collected on the beach and cast into bronze. The rock is the stone that the kelp had attached to and washed ashore. The kelp and holdfast are held together with a felt and dogbane fiber connection.

Photos by Dan Krucoff.

12"x4"x4". Artists: April Ottey, Lisa Klakulak, Ron Gerton. Materials: Bronze, stone, wool and dogbane fiber. A holdfast is a root-like structure that acts as an anchor. A beautiful symbol of stability.The holdfast was collected on the beach and cast into bronze. The rock is the stone that the kelp had attached to and washed ashore. The kelp and holdfast are held together with a felt and dogbane fiber connection.

Photos by Dan Krucoff.

12"x4"x4". Artists: April Ottey, Lisa Klakulak, Ron Gerton. Materials: Bronze, stone, wool and dogbane fiber. A holdfast is a root-like structure that acts as an anchor. A beautiful symbol of stability.The holdfast was collected on the beach and cast into bronze. The rock is the stone that the kelp had attached to and washed ashore. The kelp and holdfast are held together with a felt and dogbane fiber connection.

Photos by Dan Krucoff.

12"x4"x4". Artists: April Ottey, Lisa Klakulak, Ron Gerton. Materials: Bronze, stone, wool and dogbane fiber. A holdfast is a root-like structure that acts as an anchor. A beautiful symbol of stability.The holdfast was collected on the beach and cast into bronze. The rock is the stone that the kelp had attached to and washed ashore. The kelp and holdfast are held together with a felt and dogbane fiber connection.

Photo courtesy of Lisa Klakulak.

2"x1"x.4". Artists: Kristin Mitsu Shiga and Rose Covert. Materials: Silver, cedar bark, coastal redwood bark and willow bark. The inspiration for this piece was to to mix materials and techniques. We were so excited to play with the textures of the barks and the elegance of the silver forms. Mixing basketry techniques with jewelry design and techinques we get these beautiful wearable pieces.

Photos by Winona Hwang.

2"x1"x.4". Artists: Kristin Mitsu Shiga and Rose Covert. Materials: Silver, cedar bark, coastal redwood bark and willow bark. The inspiration for this piece was to to mix materials and techniques. We were so excited to play with the textures of the barks and the elegance of the silver forms. Mixing basketry techniques with jewelry design and techinques we get these beautiful wearable pieces.

Photo by Dan Krucoff.

2"x1"x.4". Artists: Kristin Mitsu Shiga and Rose Covert. Materials: Silver, cedar bark, coastal redwood bark and willow bark. The inspiration for this piece was to to mix materials and techniques. We were so excited to play with the textures of the barks and the elegance of the silver forms. Mixing basketry techniques with jewelry design and techinques we get these beautiful wearable pieces.

Photo by Winona Hwang.

16"x10"x4". Artists: Danielle Barbour and Carol Hall. Materials: Elm burl and paint. A momma wolf and her cub take a sun-nap, while a wiley rabbit basks in the safety of moon.light.

Photos by Dan Krucoff.

16"x10"x4". Artists: Danielle Barbour and Carol Hall. Materials: Elm burl and paint. A momma wolf and her cub take a sun-nap, while a wiley rabbit basks in the safety of moon.light.

Photos by Dan Krucoff.

13"x18". Artists: Te Rautini Sheridan, Harete Tito, Julie Johnson, Ron Gerton, Winona Hwang, Angelita Surmon, Susan Schimelfining and Jason Greene. Materials: aluminum printing block, water paints and handmade cotton/abaca paper. Althought the aluminum block is mechanical, the image conjured invokes thoughts of the flowing rivers, the aquifers, the many tributaries in this life. The challenges of being. An idea of a maze, a labyrinth arose. The industrial revolution brought havoc upon earth. The landscape has decide to reclaim its rightful place.

Photos by Lee Mahoney.

13"x18". Artists: Te Rautini Sheridan, Harete Tito, Julie Johnson, Ron Gerton, Winona Hwang, Angelita Surmon, Susan Schimelfining and Jason Greene. Materials: aluminum printing block, water paints and handmade cotton/abaca paper. Althought the aluminum block is mechanical, the image conjured invokes thoughts of the flowing rivers, the aquifers, the many tributaries in this life. The challenges of being. An idea of a maze, a labyrinth arose. The industrial revolution brought havoc upon earth. The landscape has decide to reclaim its rightful place.

Photos by Lee Mahoney.

13"x18". Artists: Te Rautini Sheridan, Harete Tito, Julie Johnson, Ron Gerton, Winona Hwang, Angelita Surmon, Susan Schimelfining and Jason Greene. Materials: aluminum printing block, water paints and handmade cotton/abaca paper. Althought the aluminum block is mechanical, the image conjured invokes thoughts of the flowing rivers, the aquifers, the many tributaries in this life. The challenges of being. An idea of a maze, a labyrinth arose. The industrial revolution brought havoc upon earth. The landscape has decide to reclaim its rightful place.

Photos by Lee Mahoney.

13"x18". Artists: Te Rautini Sheridan, Harete Tito, Julie Johnson, Ron Gerton, Winona Hwang, Angelita Surmon, Susan Schimelfining and Jason Greene. Materials: aluminum printing block, water paints and handmade cotton/abaca paper. Althought the aluminum block is mechanical, the image conjured invokes thoughts of the flowing rivers, the aquifers, the many tributaries in this life. The challenges of being. An idea of a maze, a labyrinth arose. The industrial revolution brought havoc upon earth. The landscape has decide to reclaim its rightful place.

Photos by Lee Mahoney.

7"x4"x12". Artists: Kevin Shluka, Danielle Barbour, Biba Schutz, Dillon Silva, and Sara Thompson. Materials: wood, brass, copper, glass. This was a collage-style collaboration. Itinerant components came together and settled in their natural state. This is not a pipe. This is an organism. Turned wood flowers held in a blown glass vase.

Photos by Dan Krucoff.

7"x4"x12". Artists: Kevin Shluka, Danielle Barbour, Biba Schutz, Dillon Silva, and Sara Thompson. Materials: wood, brass, copper, glass. This was a collage-style collaboration. Itinerant components came together and settled in their natural state. This is not a pipe. This is an organism. Turned wood flowers held in a blown glass vase.

Photos by Dan Krucoff.

7"x4"x12". Artists: Kevin Shluka, Danielle Barbour, Biba Schutz, Dillon Silva, and Sara Thompson. Materials: wood, brass, copper, glass. This was a collage-style collaboration. Itinerant components came together and settled in their natural state. This is not a pipe. This is an organism. Turned wood flowers held in a blown glass vase.

Photos by Dan Krucoff.

7"x4"x12". Artists: Kevin Shluka, Danielle Barbour, Biba Schutz, Dillon Silva, and Sara Thompson. Materials: wood, brass, copper, glass. This was a collage-style collaboration. Itinerant components came together and settled in their natural state. This is not a pipe. This is an organism. Turned wood flowers held in a blown glass vase.

Photos by Dan Krucoff.

24"x5". Artists: Judy Zugish, Tom Willing, Melissa Engler, Graeme Priddle and Kevin Shluka. Materials: Mature bark of Metasqequoia (harvested and saved for 20 years), found driftwood stick (from a childhood beach), and copper. A Sunday walk on a driftwood beach. Sea salt shores. Waves lullaby, quiet the mind. Small whispers. I hear chatter from the sticks scattered amonst the logs. Sea birds call and swoop the sky. I heard the sticks, washed clean from the sea, talking amongst themselves. Tall tales. Shaggy bark. Let me tell you: "When I was just a boy this tree and me we grew together. Those were good times."

Photos by Lee Mahoney.

Bark and driftwood wall piece.

Bark and driftwood wall piece.

Bark and driftwood wall piece.

12"x7"x7". Artists: Jason Greene, Frans Lotz and Amarette Gregor. Materials: Copper, aluminium, stainless steel and paper coffee filters. We wanted a cup of coffee while pondering our love of water towers. For use with #2 coffee filters.

Photos by Dan Krucoff.

12"x7"x7". Artists: Jason Greene, Frans Lotz and Amarette Gregor. Materials: Copper, aluminium, stainless steel and paper coffee filters. We wanted a cup of coffee while pondering our love of water towers. For use with #2 coffee filters.

Photos by Dan Krucoff.

12"x7"x7". Artists: Jason Greene, Frans Lotz and Amarette Gregor. Materials: Copper, aluminium, stainless steel and paper coffee filters. We wanted a cup of coffee while pondering our love of water towers. For use with #2 coffee filters.

Photos by Dan Krucoff.

20"x3"x1". Artists: Kellen Bateham, Judy Zugish, and Zachary Pearson. Mild steel, essence of Lion-0, yellow cedar, willow bark, waxed linen, glass, enamel paint. The Battlewand of the Fallen Thundercat imbues the wielder with +5 to charisma and +7 to intelligence. It extends the boosts to an entire party if held above head while exclaiming, "Thundercats, Thundercats, Thundercats, HO!" (effect lasts for 5 minutes.) Also provides a 20% attack damage against mummies.

Photos by Dan Krucoff.

20"x3"x1". Artists: Kellen Bateham, Judy Zugish, and Zachary Pearson. Mild steel, essence of Lion-0, yellow cedar, willow bark, waxed linen, glass, enamel paint. The Battlewand of the Fallen Thundercat imbues the wielder with +5 to charisma and +7 to intelligence. It extends the boosts to an entire party if held above head while exclaiming, "Thundercats, Thundercats, Thundercats, HO!" (effect lasts for 5 minutes.) Also provides a 20% attack damage against mummies.

Photos by Dan Krucoff.

20"x3"x1". Artists: Kellen Bateham, Judy Zugish, and Zachary Pearson. Mild steel, essence of Lion-0, yellow cedar, willow bark, waxed linen, glass, enamel paint. The Battlewand of the Fallen Thundercat imbues the wielder with +5 to charisma and +7 to intelligence. It extends the boosts to an entire party if held above head while exclaiming, "Thundercats, Thundercats, Thundercats, HO!" (effect lasts for 5 minutes.) Also provides a 20% attack damage against mummies.

Photos by Dan Krucoff.

10"x12"x5". Artists: Jason Greene and Frans Lotz. Materials: walnut base, steel, brass, epoxy, paper, pencils, pens, crayons, etc. Inspired by the 80's game, "Rock'em Sock'em Robots", we wanted to make a drawing version. Ring he bell with the brass pencil to start the match. Compete! Collaborte! There are no losers. Fits standard 8.5x11" paper and you can swap out pencils or pens ... or draw/fight with french fries if you like!

Photos by Dan Krucoff.

10"x12"x5". Artists: Jason Greene and Frans Lotz. Materials: walnut base, steel, brass, epoxy, paper, pencils, pens, crayons, etc. Inspired by the 80's game, "Rock'em Sock'em Robots", we wanted to make a drawing version. Ring he bell with the brass pencil to start the match. Compete! Collaborte! There are no losers. Fits standard 8.5x11" paper and you can swap out pencils or pens ... or draw/fight with french fries if you like!

Photos by Dan Krucoff.

10"x12"x5". Artists: Jason Greene and Frans Lotz. Materials: walnut base, steel, brass, epoxy, paper, pencils, pens, crayons, etc. Inspired by the 80's game, "Rock'em Sock'em Robots", we wanted to make a drawing version. Ring he bell with the brass pencil to start the match. Compete! Collaborte! There are no losers. Fits standard 8.5x11" paper and you can swap out pencils or pens ... or draw/fight with french fries if you like!

Photos by Dan Krucoff.

10"x12"x5". Artists: Jason Greene and Frans Lotz. Materials: walnut base, steel, brass, epoxy, paper, pencils, pens, crayons, etc. Inspired by the 80's game, "Rock'em Sock'em Robots", we wanted to make a drawing version. Ring he bell with the brass pencil to start the match. Compete! Collaborte! There are no losers. Fits standard 8.5x11" paper and you can swap out pencils or pens ... or draw/fight with french fries if you like!

Photos by Dan Krucoff.

5"x3.25". Artists: Marjin Wall and April Ottey. Materials: cherry, bronze and leather dye. Marjin and April sometimes collaborate on botanical boxes. Marjin turned a cherry box to highlight April's cast bronze botanical.

Photos by Dan Krucoff.

5"x3.25". Artists: Marjin Wall and April Ottey. Materials: cherry, bronze and leather dye. Marjin and April sometimes collaborate on botanical boxes. Marjin turned a cherry box to highlight April's cast bronze botanical.

Photos by Dan Krucoff.

11"x4.5"x1.25". Artists: Mike Hosaluk, Melissa Engler, Graeme Priddle. Materials: found objects. We seem to find deeper recesses of self when immersed in a sea of friends. A box with three 'portholes' to look through ... one has a painted eye staring back at you ... another has a crab claw ... and the third porthole allows a close-up view of a cast silver tentacle. Each treasure is presented on deer hide.

Photo by Julie Johnson.

11"x4.5"x1.25". Artists: Mike Hosaluk, Melissa Engler, Graeme Priddle. Materials: found objects. We seem to find deeper recesses of self when immersed in a sea of friends. A box with three 'portholes' to look through ... one has a painted eye staring back at you ... another has a crab claw ... and the third porthole allows a close-up view of a cast silver tentacle. Each treasure is presented on deer hide.

Photo by Julie Johnson.

11"x4.5"x1.25". Artists: Mike Hosaluk, Melissa Engler, Graeme Priddle. Materials: found objects. We seem to find deeper recesses of self when immersed in a sea of friends. A box with three 'portholes' to look through ... one has a painted eye staring back at you ... another has a crab claw ... and the third porthole allows a close-up view of a cast silver tentacle. Each treasure is presented on deer hide.

Photo by Julie Johnson.

11"x4.5"x1.25". Artists: Mike Hosaluk, Melissa Engler, Graeme Priddle. Materials: found objects. We seem to find deeper recesses of self when immersed in a sea of friends. A box with three 'portholes' to look through ... one has a painted eye staring back at you ... another has a crab claw ... and the third porthole allows a close-up view of a cast silver tentacle. Each treasure is presented on deer hide.

Photo by Julie Johnson.

11"x4.5"x1.25". Artists: Mike Hosaluk, Melissa Engler, Graeme Priddle. Materials: found objects. We seem to find deeper recesses of self when immersed in a sea of friends. A box with three 'portholes' to look through ... one has a painted eye staring back at you ... another has a crab claw ... and the third porthole allows a close-up view of a cast silver tentacle. Each treasure is presented on deer hide.

Photo courtesy of Melissa Engler.

11"x4.5"x1.25". Artists: Mike Hosaluk, Melissa Engler, Graeme Priddle. Materials: found objects. We seem to find deeper recesses of self when immersed in a sea of friends. A box with three 'portholes' to look through ... one has a painted eye staring back at you ... another has a crab claw ... and the third porthole allows a close-up view of a cast silver tentacle. Each treasure is presented on deer hide.

Photo courtesy of Melissa Engler.

11"x4.5"x1.25". Artists: Mike Hosaluk, Melissa Engler, Graeme Priddle. Materials: found objects. We seem to find deeper recesses of self when immersed in a sea of friends. A box with three 'portholes' to look through ... one has a painted eye staring back at you ... another has a crab claw ... and the third porthole allows a close-up view of a cast silver tentacle. Each treasure is presented on deer hide.

Photo by Julie Johnson.

7"x6.5"x.5". Artists: Harete Tito, Julie Johnson, April Ottey, Deb Curtis, Greg Wilbur, Ben Smith. Materials: Sterling silver cast melaleuca pod, Arches watercolor paper ecoprinted with Cotinus from Greg Wilbur's yard, waxed linen thread, handmade kozo/gampi/cattail seed head paper, paint pot earth pigments from Calgary. Julie ecoprinted the cover papers with Cotinus leaves that Ben harvested from Greg and Sandy Wilbur's yard; she also made the kozo/gampi/cattail seed head papers. Harete painted some special insert 'surprise' images with pigment paints she made in Calgary, CA and also coptic-bound the book. Deb made her first 8 strand braid for the tie closure. April cast the melaleuca pod that Harete stitched to the spine.

Photo by Julie Johnson.

7"x6.5"x.5". Artists: Harete Tito, Julie Johnson, April Ottey, Deb Curtis, Greg Wilbur, Ben Smith. Materials: Sterling silver cast melaleuca pod, Arches watercolor paper ecoprinted with Cotinus from Greg Wilbur's yard, waxed linen thread, handmade kozo/gampi/cattail seed head paper, paint pot earth pigments from Calgary. Julie ecoprinted the cover papers with Cotinus leaves that Ben harvested from Greg and Sandy Wilbur's yard; she also made the kozo/gampi/cattail seed head papers. Harete painted some special insert 'surprise' images with pigment paints she made in Calgary, CA and also coptic-bound the book. Deb made her first 8 strand braid for the tie closure. April cast the melaleuca pod that Harete stitched to the spine.

Photo by Julie Johnson.

7"x6.5"x.5". Artists: Harete Tito, Julie Johnson, April Ottey, Deb Curtis, Greg Wilbur, Ben Smith. Materials: Sterling silver cast melaleuca pod, Arches watercolor paper ecoprinted with Cotinus from Greg Wilbur's yard, waxed linen thread, handmade kozo/gampi/cattail seed head paper, paint pot earth pigments from Calgary. Julie ecoprinted the cover papers with Cotinus leaves that Ben harvested from Greg and Sandy Wilbur's yard; she also made the kozo/gampi/cattail seed head papers. Harete painted some special insert 'surprise' images with pigment paints she made in Calgary, CA and also coptic-bound the book. Deb made her first 8 strand braid for the tie closure. April cast the melaleuca pod that Harete stitched to the spine.

Photo by Dan Krucoff.

7"x6.5"x.5". Artists: Harete Tito, Julie Johnson, April Ottey, Deb Curtis, Greg Wilbur, Ben Smith. Materials: Sterling silver cast melaleuca pod, Arches watercolor paper ecoprinted with Cotinus from Greg Wilbur's yard, waxed linen thread, handmade kozo/gampi/cattail seed head paper, paint pot earth pigments from Calgary. Julie ecoprinted the cover papers with Cotinus leaves that Ben harvested from Greg and Sandy Wilbur's yard; she also made the kozo/gampi/cattail seed head papers. Harete painted some special insert 'surprise' images with pigment paints she made in Calgary, CA and also coptic-bound the book. Deb made her first 8 strand braid for the tie closure. April cast the melaleuca pod that Harete stitched to the spine.

Photo courtesy of Harete Tito.

7"x6.5"x.5". Artists: Harete Tito, Julie Johnson, April Ottey, Deb Curtis, Greg Wilbur, Ben Smith. Materials: Sterling silver cast melaleuca pod, Arches watercolor paper ecoprinted with Cotinus from Greg Wilbur's yard, waxed linen thread, handmade kozo/gampi/cattail seed head paper, paint pot earth pigments from Calgary. Julie ecoprinted the cover papers with Cotinus leaves that Ben harvested from Greg and Sandy Wilbur's yard; she also made the kozo/gampi/cattail seed head papers. Harete painted some special insert 'surprise' images with pigment paints she made in Calgary, CA and also coptic-bound the book. Deb made her first 8 strand braid for the tie closure. April cast the melaleuca pod that Harete stitched to the spine.

Photo by Julie Johnson.

7"x6.5"x.5". Artists: Harete Tito, Julie Johnson, April Ottey, Deb Curtis, Greg Wilbur, Ben Smith. Materials: Sterling silver cast melaleuca pod, Arches watercolor paper ecoprinted with Cotinus from Greg Wilbur's yard, waxed linen thread, handmade kozo/gampi/cattail seed head paper, paint pot earth pigments from Calgary. Julie ecoprinted the cover papers with Cotinus leaves that Ben harvested from Greg and Sandy Wilbur's yard; she also made the kozo/gampi/cattail seed head papers. Harete painted some special insert 'surprise' images with pigment paints she made in Calgary, CA and also coptic-bound the book. Deb made her first 8 strand braid for the tie closure. April cast the melaleuca pod that Harete stitched to the spine.

Photos by Julie Johnson.