2022 Auction Gallery

7” x 5” Max McBurnett turned the maple burl hollow form and Bob Chiavarini carved the neck and flowing curve and then embellished the piece by burning in small shells.

7” x 5” Max McBurnett turned the maple burl hollow form and Bob Chiavarini carved the neck and flowing curve and then embellished the piece by burning in small shells.

7" x 8" Max McBurnett turned the maple hollow form. Bob Chiavarini then carved into it and created the stippled effect using pyrography.

7" x 8" Max McBurnett turned the maple hollow form. Bob Chiavarini then carved into it and created the stippled effect using pyrography.

7" x 8" Max McBurnett turned the maple hollow form. Bob Chiavarini then carved into it and created the stippled effect using pyrography.

Rosey Covert wove a tiny sweetgrass basket, which April Ottey cast in bronze along with other cast botanicals.

3” x 1/2” Rosey Covert hand plaited woven pieces with hand harvested and processed cedar bark and sweetgrass. April Ottey the cast the pieces in sterling silver and smithed them into earrings.

4” x 6” Max McBurnett turned the cherry hollow form and Bob Chiavarini then added feathers using pyrography.

4” x 6” Max McBurnett turned the cherry hollow form and Bob Chiavarini then added feathers using pyrography.

8” x 2 1/2” John Wirth raised the brass spoon, and Winona Huang, Inspired by peonies, then chased and pierced the spoon.

8” x 2 1/2” John Wirth raised the brass spoon, and Winona Huang, Inspired by peonies, then chased and pierced the spoon.

2.5” x 5” Sally Ault turned the zebra wood box and Bob Chiavarini then carved the feather fineal and burnt in tiny feathers over the entire box lid.

2.5” x 5” Sally Ault turned the zebra wood box and Bob Chiavarini then carved the feather fineal and burnt in tiny feathers over the entire box lid.

2.5” x 5” Sally Ault turned the zebra wood box and Bob Chiavarini then carved the feather fineal and burnt in tiny feathers over the entire box lid.

10" x 10" Anita Marina created the fused glass and Arielle Brackett made the brass ferns and mounted and finished the piece with acrylic paint and resin. Materials: fused glass, brass, acrylic paint and resin.

10" x 10" Anita Marina created the fused glass and Arielle Brackett made the brass ferns and mounted and finished the piece with acrylic paint and resin. Materials: fused glass, brass, acrylic paint and resin.

13 1/2" x 2" x 1" Greg Wilbur raised the copper pod form. Then Winona Huang cast resin and mylar into the pod form to create a shimmering water effect.

13 1/2" x 2" x 1" Greg Wilbur raised the copper pod form. Then Winona Huang cast resin and mylar into the pod form to create a shimmering water effect.

13"x 5 1/2" Greg Wilbur raised and patinated the copper hollow form; Tom Willing then turned and carved a top for it.

8" x 4" x 4" Rick Crawford carved a piece of New Zealand Pine (Rimu) based on a seashelll he found in Florida. Phil Seder created a forged, pierced steel stand in a spiral form to mimic the seashell; then he wrapped the stand in copper to harmonize the stand with the wood tones.

8" x 4" x 4" Rick Crawford carved a piece of New Zealand Pine (Rimu) based on a seashelll he found in Florida. Phil Seder created a forged, pierced steel stand in a spiral form to mimic the seashell; then he wrapped the stand in copper to harmonize the stand with the wood tones.

8" x 4" x 4" Rick Crawford carved a piece of New Zealand Pine (Rimu) based on a seashelll he found in Florida. Phil Seder created a forged, pierced steel stand in a spiral form to mimic the seashell; then he wrapped the stand in copper to harmonize the stand with the wood tones.

Size: 8" x 8" Carol Lebreton hand built the stoneware vessel with a beautiful interior glaze. Julie Johnson wove the rattle lid and added the willow and dogbane cordage rim decorations. Rattle lid is yellow cedar bark and twined sweetgrass, with a stone cap.

Size: 8" x 8" Carol Lebreton hand built the stoneware vessel with a beautiful interior glaze. Julie Johnson wove the rattle lid and added the willow and dogbane cordage rim decorations. Rattle lid is yellow cedar bark and twined sweetgrass, with a stone cap.

Size: 8" x 8" Carol Lebreton hand built the stoneware vessel with a beautiful interior glaze. Julie Johnson wove the rattle lid and added the willow and dogbane cordage rim decorations. Rattle lid is yellow cedar bark and twined sweetgrass, with a stone cap.

2 1/2" x 3/4" Anita Merina fused the glass bead and Arielle Brackett created the brass fern and assembled the brooch.

2 1/2" x 1 1/2 " Anita Merian fused the glass and Arielle Brackett created the metal parts of the brooch with brass and copper.

18.5" x 11" x 5" Inspired by Nature herself and loose ends of life and the endless flow of the cosmos. Materials are wood, paper, wax, copper and found objects. Julie Johnson made the paper, Sally Ault turned the wood top and bowl and Aimee Mattila dyed the paper and assembled the sculpture.

18.5" x 11" x 5" Inspired by Nature herself and loose ends of life and the endless flow of the cosmos. Materials are wood, paper, wax, copper and found objects. Julie Johnson made the paper, Sally Ault turned the wood top and bowl and Aimee Mattila dyed the paper and assembled the sculpture.

18.5" x 11" x 5" Inspired by Nature herself and loose ends of life and the endless flow of the cosmos. Materials are wood, paper, wax, copper and found objects. Julie Johnson made the paper, Sally Ault turned the wood top and bowl and Aimee Mattila dyed the paper and assembled the sculpture.

5" x 5" Marjin Wall turned the English walnut tripod bowl and painted the exterior with milk paint. Joan Carrigan wove the basket top on the bowl.

5" x 5" Marjin Wall turned the English walnut tripod bowl and painted the exterior with milk paint. Joan Carrigan wove the basket top on the bowl.

Brooch is 3" x 1 1/2" Anita Merina fused the glass piece and Arielle Brackett did all the metalwork.

Brooch is 3” x 1 1/2” Anita Merina fused the glass piece and Arielle Brackett did all the metalwork.

6" x 3" Marjin Wall turned the cherry box to feature April Ottey's cast bronze fineal. April found the small mystery piece she used to make the fineal while hiking in the desert.

6" x 3" Marjin Wall turned the cherry box to feature April Ottey's cast bronze fineal. April found the small mystery piece she used to make the fineal while hiking in the desert.

36" x 18" x 12" This lamp was created by John Strohbehn, Laurent Niclot, Mike Free and Greg Wilbur. Laurent did the turning, Mike fashioned the base, John did the carving and Greg raised and hammered the copper shade and finial.

36" x 18" x 12" This lamp was created by John Strohbehn, Laurent Niclot, Mike Free and Greg Wilbur. Laurent did the turning, Mike fashioned the base, John did the carving and Greg raised and hammered the copper shade and finial.

36" x 18" x 12" This lamp was created by John Strohbehn, Laurent Niclot, Mike Free and Greg Wilbur. Laurent did the turning, Mike fashioned the base, John did the carving and Greg raised and hammered the copper shade and finial.

36" x 18" x 12" This lamp was created by John Strohbehn, Laurent Niclot, Mike Free and Greg Wilbur. Laurent did the turning, Mike fashioned the base, John did the carving and Greg raised and hammered the copper shade and finial.

Size: 24" h x 23" w. Marjin Wall carved, assembled and milk painted the lamp base loosely based on undersea coral forms. Julie Johnson handmade the Abaca, cotton/curly dock leaf stem, and walnut-dyed Abaca papers and created the swirling shade.

Size: 24" h x 23" w. Marjin Wall carved, assembled and milk painted the lamp base loosely based on undersea coral forms. Julie Johnson handmade the Abaca, cotton/curly dock leaf stem, and walnut-dyed Abaca papers and created the swirling shade.

Marjin Wall carved, assembled and milk painted the lamp base loosely based on undersea coral forms.

3” x 3” Marjin Wall turned and milk painted the small wood bowl and Joan Carrigan added the eucalyptus pods to enhance the rim.

3” x 3” Marjin Wall turned and milk painted the small wood bowl and Joan Carrigan added the eucalyptus pods to enhance the rim.

Size: 16" x 16" x 10". RD Johnson carved the black walnut. Julie Johnson created the handmade paper/reed pieces. Materials include black walnut wood, artist made kozo paper with wild turkey feather inclusions and reed. RD's son thought the line of carving looked like a railroad, so the swirling paper/reed pieces emulate the sounds of a train whistle echoing in a canyon.

Size: 16" x 16" x 10". RD Johnson carved the black walnut. Julie Johnson created the handmade paper/reed pieces. Materials include black walnut wood, artist made kozo paper with wild turkey feather inclusions and reed. RD's son thought the line of carving looked like a railroad, so the swirling paper/reed pieces emulate the sounds of a train whistle echoing in a canyon.

18” x 12 1/2” x 2” Greg Wilbur fashioned the copper 3-D form for Jeffrey Weber to paint. Jeffrey also added the incised, embellished frame.

4 3/4' x 4 3/4" x 3" Joe Seltzer turned the shape and gave it to Michael Keys, who fire sanded it - burning the wood with a small torch and using wire brushes to remove the excess carbon. He then created his signature beads and painted and oiled the piece. Mirrored glass is included to better display the piece. Materials include oak, acrylic paints, oil and a mirror.

4 3/4' x 4 3/4" x 3" Joe Seltzer turned the shape and gave it to Michael Keys, who fire sanded it - burning the wood with a small torch and using wire brushes to remove the excess carbon. He then created his signature beads and painted and oiled the piece. Mirrored glass is included to better display the piece. Materials include oak, acrylic paints, oil and a mirror.

4 3/4' x 4 3/4" x 3" Joe Seltzer turned the shape and gave it to Michael Keys, who fire sanded it - burning the wood with a small torch and using wire brushes to remove the excess carbon. He then created his signature beads and painted and oiled the piece. Mirrored glass is included to better display the piece. Materials include oak, acrylic paints, oil and a mirror.

9" x 5" John Vaeth turned the small wooden sculpture and Mike Free painted it.

9" x 5" John Vaeth turned the small wooden sculpture and Mike Free painted it.

Julie Johnson sent Deb Curtis handmade cochineal-dyed flax paper. Deb stitched a vessel with the paper and added lace, inspired by the idea of a Victorian collar.

11" x 4 1/2" x 4 1/2" This collaboration was inspired by a series of work by Kailee Bosch. She created the shapes for the black pieces using a 3-D printer and then cast them in bronze, then darkened them with liver of sulfur. Laurent Niclot turned the wooden spindles - turning two of them off center in several areas to create the illusion that they were split or patched together. Marjin Wall then textured the spindles and painted them using milk paints. This piece can be displayed either horizontally or vertically.

11" x 4 1/2" x 4 1/2" This collaboration was inspired by a series of work by Kailee Bosch. She created the shapes for the black pieces using a 3-D printer and then cast them in bronze, then darkened them with liver of sulfur. Laurent Niclot turned the wooden spindles - turning two of them off center in several areas to create the illusion that they were split or patched together. Marjin Wall then textured the spindles and painted them using milk paints. This piece can be displayed either horizontally or vertically.

11" x 4 1/2" x 4 1/2" This collaboration was inspired by a series of work by Kailee Bosch. She created the shapes for the black pieces using a 3-D printer and then cast them in bronze, then darkened them with liver of sulfur. Laurent Niclot turned the wooden spindles - turning two of them off center in several areas to create the illusion that they were split or patched together. Marjin Wall then textured the spindles and painted them using milk paints. This piece can be displayed either horizontally or vertically.

17" x 5" x 3" Michael Free formed and raised the copper arm. Then Rosey Covert added the woven cedar bark, small branches, wool and twigs wrapped in copper wire.

17" x 5" x 3" Michael Free formed and raised the copper arm. Then Rosey Covert added the woven cedar bark, small branches, wool and twigs wrapped in copper wire.

4" x 6" Sally Ault turned a cork oak box with a dyed maple lid. Ron Gerton then cast a tack weed flower and added it as a fineal.

4" x 6" Sally Ault turned a cork oak box with a dyed maple lid. Ron Gerton then cast a tack weed flower and added it as a fineal.

4" x 6" Sally Ault turned a cork oak box with a dyed maple lid. Ron Gerton then cast a tack weed flower and added it as a fineal.

30" x 15 1/2" x 3 1/2 Tai Lake sent Michael de Forest a wooden assemblage that suggested a hammer form. Michael added a handle of oak that he steam bent and twisted to create Hashem's hammer. He then used milk paints to embellish the piece.

30" x 15 1/2" x 3 1/2 Tai Lake sent Michael de Forest a wooden assemblage that suggested a hammer form. Michael added a handle of oak that he steam bent and twisted to create Hashem's hammer. He then used milk paints to embellish the piece.

30" x 15 1/2" x 3 1/2 Tai Lake sent Michael de Forest a wooden assemblage that suggested a hammer form. Michael added a handle of oak that he steam bent and twisted to create Hashem's hammer. He then used milk paints to embellish the piece.

5 1/2" x 3" Marjin Wall turned a walnut box with a dogwood lid to feature April Ottey's bronze casting of a poppy pod. Using milk paints, Marjin painted the lid the most typical poppy colors and the box to loosely reflect the plant.

5 1/2" x 3" Marjin Wall turned a walnut box with a dogwood lid to feature April Ottey's bronze casting of a poppy pod. Using milk paints, Marjin painted the lid the most typical poppy colors and the box to loosely reflect the plant.

5 1/2" x 3" Marjin Wall turned a walnut box with a dogwood lid to feature April Ottey's bronze casting of a poppy pod. Using milk paints, Marjin painted the lid the most typical poppy colors and the box to loosely reflect the plant.

12 1/2" x 6" Michael Hosaluk created and painted the two faced head. Marjin turned the base and turned it into an automata. When you turn the handle the head rotates. (To see the automata in action go to @frogwood_collab on Instagram). Made with maple, walnut, ebony and acrylics.

12 1/2" x 6" Michael Hosaluk created and painted the two faced head. Marjin turned the base and turned it into an automata. When you turn the handle the head rotates. (To see the automata in action go to @frogwood_collab on Instagram). Made with maple, walnut, ebony and acrylics.

12 1/2" x 6" Michael Hosaluk created and painted the two faced head. Marjin turned the base and turned it into an automata. When you turn the handle the head rotates. (To see the automata in action go to @frogwood_collab on Instagram). Made with maple, walnut, ebony and acrylics.

20" x 16" This print includes linoleum block prints by 12 different artists. Marjin Wall made the frame and Bob Chiavarini carved, pyrographed and painted the frame and applied a lacquer finish. Julie Johnson made the paper and Rory Sparks printed the lino cuts. The following artists created the lino cuts (from top left): Jerry Harris, Michael de Forest, John Wirth, Phil Seder, Emily Johnson, Owen Lowe, Sally Ault, Yvonne Musey Johnson, Michael Hosaluk, Greg Wilbur, Winona Huang, and Kim Osgood. The concept of the group block print was inspired by Mark Sfirri and the Echo Lake collab.

20" x 16" Marjin Wall made the frame, Julie Johnson handmade the paper, Rosey Covert covered the frame in willow bark weaving, and Rory Sparks did the printing. The following artists created the lino cuts (from top left) : Ben Smith, Bob Chiavarini, Tom Willing, Deb Curtis, Max McBurnett, Joseph Caramella, Tai Lake, Rosey Covert, Terry Power, Jeff Weber, and Arielle Brackett. The concept of doing group prints came from Mark Sfirri and the Echo Lake Collab in Pennsylvania.

20" x 16" Marjin Wall made the frame, Julie Johnson handmade the Abaca/cotton paper, Bob Chiavarini carved and painted the frame, and Rory Sparks did the printing. The following artists contributed lino cuts (from top left): Mini Giri, Kristin Shiga, Anita Merina, Aimee Mattila, Kathleen Abood, David Williams, Kim Winkle, Rick Crawford, Mike Free, Graeme Priddle, Shelly Durica-Laiche, and Joe Seltzer. The inspiration for doing group prints came from Mark Sfirri and the Echo Lake Collab in Pennsylvania. (This frame is a bas relief carving).

17 1/2" x 11" x 3 1/2" Every collab we do a Tiny Treasures display featuring small pieces by many artists. This year's iteration includes (starting from top right) the following pieces: Jeffrey Weber - miniature grape vine sculpture; Owen Lowe - alabaster box with ebony lid and fineal; Sally Ault - madrone bowl; Tom Willing - maple box; John Wirth - raised low copper bowl; Marjin Wall - milk painted madrone form; Rosey Covert - webbed stone; Laurent Niclot - turned and ebonized hollow form; Marjin Wall - tortured fig hollow form; Rosey Covert - cedar basket; Sally Alt - dyed bowl; and Greg Wilbur - raised copper bowl. Tom Willing built the display and Marjin Wall painted it with milk paints.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This is by Jeffrey Weber - miniature grape vine sculpture.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This piece is by Owen Lowe - alabaster box with ebony lid and fineal.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This is by Sally Ault - madrone bowl.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This is by Tom Willing - maple box.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This is by John Wirth - raised low copper bowl.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This is by Marjin Wall - milk painted madrone form.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This is by Rosey Covert - webbed stone.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This is by Laurent Niclot - turned and ebonized hollow form.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This is by Marjin Wall - tortured fig hollow form.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This is by Rosey Covert - cedar basket.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This is by Sally Alt - dyed bowl.

Every collab we do a Tiny Treasures display featuring small pieces by many artists. This piece is by Greg Wilbur - raised copper bowl.

20' x 16" Marjin Wall made the frame and Mini Giri painted it in her signature style.